It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 20, 2015, 01:13 PM
https://www.aotg.com/maze-runner-the-scorch-trials-making-of-by-wi/
Really cool video by Wired about the work of Weta Digital on MAZE RUNNER – THE SCORCH TRIALS...
September 20, 2015, 06:25 AM
https://www.aotg.com/the-sound-of-the-maze-runner-scorch-trials/
In this exclusive SoundWorks Collection sound profile we talk with The Maze Runner: Scorch Trials Director Wes Ball and his picture and sound team including Supervising Sound Editor and Sound Designer Ai-Ling Lee, Film Editor Dan Zimmerman, and Sound Re-recording Mixers Rob Bartlett and Doug Hemphill.
September 20, 2015, 06:24 AM
https://www.aotg.com/the-music-of-black-mass-with-junkie-xl/
In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer Tom Holkenborg (Junkie XL) about his work on the film Black Mass.
September 19, 2015, 12:59 PM
https://www.aotg.com/the-evolution-of-film-in-3-minutes-now-with-star/
You asked for it so here it is. The EVOLUTION of FILM in 3 minutes NOW with Star Wars. This montage began as a labor of love and quickly became an obsession of mine. Many days and hours were spent researching clips, downloading and editing. This could not have been possible without the complete and total encouragement from my wife Tiffany ... you rock!
September 18, 2015, 05:35 PM
https://www.aotg.com/green-screens-as-fast-as-possible/
How does the humble green screen make all kinds of movie magic possible, and why the heck is it green, anyway?
September 18, 2015, 12:24 PM
https://www.aotg.com/ibc-2015-rhode-schwarz/
Thomas Sicken from Rhode & Schwarz tells us about the new, next-generation Clipster on the show floor at IBC.
September 18, 2015, 12:23 PM
https://www.aotg.com/ibc-2015-maxon/
Maxon product manager Oliver Meiseberg tells us about some new offerings in their recently released Cinema 4D R17.
September 18, 2015, 09:30 AM
https://www.aotg.com/100000-subscribers-free-stuff/
HOLY COW, 100k subscribers, this is so awesome. So to celebrate, I'll be giving away one of my best selling presets for free till the end of October, and also cutting the price on my best selling sound pack. But the best thing, is I have a new plugin coming out. Glitchify is a digital glitch plugin that really rocks.
September 18, 2015, 09:29 AM
https://www.aotg.com/visual-effects-advice-from-film-tv-experts/
An array of visual effects experts talk us through their roles, the challenges of their jobs and give their advice for budding special effects artists.
September 18, 2015, 04:55 AM
https://www.aotg.com/creative-sound-design-finger-mics/
This three part course starts out with a collection of tutorials that explore rhythmic processing. Here, Diego shows you how to create a complete percussion ensemble from a single recording of guitar strings being struck with sticks. The audio processing chain that he's designed is a signal flow masterpiece. Its like he creates something out of nothing. Its truly magical.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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