It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 13, 2014, 04:35 AM
http://moviola.com/inside-hollywood/a-conversation...
Joe Walker, the editor of the Academy Award Best Picture winner 12 Years a Slave, talks about the pressure he felt while editing a story that hasn't been told very often. He also discusses working with the director Steve McQueen for the third time and how he approached this movie from the eyes of a free man.
October 11, 2014, 07:40 PM
https://www.aotg.com/color-grading-gopro-footage-in-davinci-resolve-11/
In this tutorial, I show you how I color correct GoPro Footage using LUTs in Resolve and then add some filmic style! FREE GOPRO LUT: http://www.groundcontrol...
October 11, 2014, 07:38 PM
http://moviola.com/inside-hollywood/bobbi-banks-gr...
Editors that work in Sound give us a peek into what they do that is truly an invisible art. From recording new dialogue, sound effects, or adjusting levels, these sound editors collaborate with filmmakers to elevate the movie watching experience.
October 11, 2014, 06:14 AM
https://www.aotg.com/post-mortem-the-weeks-post-news-in-5-min/
This weeks Post Mortem covers the major Adobe updates, the ongoing strike of Shahs of Sunset, and the Canadian Cinema Editors change of leaders. We also look at how our mind ignores stunt doubles and part 2 of our interview with Kelley Dixon, discussing cutting Walter Whites first kill.
October 11, 2014, 06:11 AM
http://moviola.com/inside-hollywood/a-conversation...
Meet Kevin Tent, the editor of Nebraska, as he reviews the importance of pacing and rhythm for this film. He also discusses his experience editing the film Sideways staring Paul Giamatti, his journey into the film industry and offers insight for aspiring editors.
October 10, 2014, 03:39 AM
http://moviola.com/inside-hollywood/a-special-even...
A look into the amazing career of Richard Marks! His experiences getting into the business, making the transition to Hollywood from New York as well as working on specific films like Apocalypse Now.
October 9, 2014, 12:46 PM
https://www.aotg.com/relinking-r3d-to-mov-and-vice-versa-a-potential/
If you saw our article a few weeks ago, you'll know that relinking in Premiere Pro is a bit of a weak spot currently. The particular article had to do with relinking R3D from the RED Camera and MOV files, but all around relinking to files that were not your originals is poor. In this video, we go over some tips to get R3D files to actually relink to MOV files. Please proceed with caution as I haven't done too much testing on this workflow. See full article at: retooled.net/?p=1565 Follow u...
October 9, 2014, 09:50 AM
https://www.aotg.com/soundworks-collection-leslie-ann-jones/
In the latest offering from SoundWorks Collection, the spotlight is on Leslie Ann Jones, Director of Music and Scoring at Skywalker Sound. This 10-minute profile explores Jones’ musical roots and her 30-year career as a recording and mixing engineer.
October 9, 2014, 09:48 AM
http://moviola.com/inside-hollywood/a-conversation...
Joe LoDuca is an Emmy award winning film & television composer. Listen to how he got started and what it's like to be a composer for shows such as Spartacus and films includig The Evil Dead trilogy.
October 9, 2014, 04:26 AM
https://www.aotg.com/the-power-of-reaction-shots-timing-is-everything/
The Power Of Reaction Shots (Timing Is Everything). Every editor has their own style and any scene can be cut multiple ways. But, if you are interested in watching how a professional editor edits, learning more about...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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