It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 2, 2012, 05:17 PM
https://www.aotg.com/davinci-resolve-9-raw-image-workflow/
Cinematographer John Brawley and Digital Colourist Giles Livesky, take to the stage to investigate the Blackmagic Cinema Camera and how the RAW images work in combination with DaVinci Resolve.
October 2, 2012, 03:08 PM
https://www.aotg.com/post-production-tour-by-robert-rodriquez/
With this special we go into the garage of director Robert Rodriguez who basically made 'Once Upon a Time in Mexico' all by himself. He directed, produced, wrote, shot, chopped, and scored (as he puts it) the movie and he did a lot of the post-production in the garage we see.
October 2, 2012, 09:16 AM
https://www.aotg.com/ibc-2012-complete-dolby-e-workflow-for-mc6/
Minnetonka Audio Software's SurCode for Dolby E Decoder plug-in decodes Dolby E files back to discrete base-band PCM, resulting in a sample-accurate, fully time-aligned set of files ready for distribution or further editing. The decoder plug-in appears in the insert chain on your channel strip with all other RTAS plug-ins, and will decode your audio in sync with the timeline.
October 1, 2012, 09:44 AM
https://www.aotg.com/meg-reticker-discusses-a-reservoir-dogs-scene/
Editor Meg Reticker discusses her favorite moments in "Reservoir Dogs." For more information on Editfest NY please go to editfestny.com.