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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ZOMBIELAND - DOUBLE TAP: Mo Sobhy - VFX Supervisor

November 14, 2019, 09:06 PM

https://www.artofvfx.com/zombieland-double-tap-mo-...

Mo Sobhy started his VFX career in 2003 at Framestore. He then worked at MPC and Cinesite before joining Rodeo FX in 2019. He worked on many films such as X: FIRST CLASS, GODZILLA, BATMAN V SUPERMAN: DAWN OF JUSTICE and STRANGER THINGS.

Editor Jeremiah O’Driscoll (The Polar Express, F

November 13, 2019, 02:06 PM

https://www.youtube.com/watch?v=ucXdTJTmA4I

Jeremiah O’Driscoll on how his experience fixing camera equipment at NYU led him to the cutting room. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology

Endcrawl - John 'Pliny' Eremic

November 10, 2019, 03:07 PM

https://www.youtube.com/watch?v=0MK9P2f2EWw

Recorded live at the October 2019 lacpug Meet; You've seen it in hundreds of movies, but just don't know it. Endcrawl allows you to build end credits in your browser, collaborate in one place, preview your layout in real time, and get one-click renders whenever you like. John 'Pliny' Eremic, co-founder of Endcrawl demoed. Hosted by Michael Horton. In Collaboration with Surf Theater Productions

Get your stunt fix right here

November 10, 2019, 03:07 PM

https://beforesandafters.com/2019/11/10/get-your-s...

As part of the DVD/Blu-ray release of Hobbs & Shaw, a number of official featurettes have been released. I wanted to share three of those here that specifically go into the stunts of the film.

How Editor Leo Trombetta, ACE Covered for Inconsis

November 9, 2019, 01:59 PM

https://www.youtube.com/watch?v=iha4yGBAkt8

Leo Trombetta, ACE discusses how he combined the best takes from the set of "True Detective" despite the continuity challenges he faced. Leo Trombetta, ACE has over a dozen credits as a Film Editor including "Little Children" for director Todd Field and HBO Films’ "Temple Grandin," for which he won both an Emmy and an ACE Eddie Award. Leo's television work includes Netflix's "13 Reasons Why" and "Narcos," "Wayward Pines," "Mad Men," and the Michael Mann/David Milch seri...

SMPTE 2019: Film editor Roger Barton

November 5, 2019, 02:09 PM

https://www.youtube.com/watch?v=FFsgRAsSi8s

#SMPTE2019 #RogerBarton #filmeditor #Evercast Film editor Roger Barton (Godzilla: King of Monsters, Terminator Genisys) stopped by to talk about Evercast, which allows editors to work remotely on the system of their choice, as well as working his way up to editor. Enjoy postPerspective and SMPTE's coverage of the conference: https://postperspective.com/smpte-2019/

You probably won't like alligators after watching

November 5, 2019, 02:07 PM

https://beforesandafters.com/2019/11/05/you-probab...

This is Rodeo FX’s VFX breakdown reel for Alexandre Aja’s Crawl, released earlier in 2019.

I have to post this. It's so good

November 4, 2019, 02:12 PM

https://beforesandafters.com/2019/11/04/i-have-to-...

This is the Diablo IV announcement cinematic, ‘By Three They Come’, made by Blizzard’s cinematics team.

Why most visual effects suck--but some don't

November 1, 2019, 07:09 PM

https://www.aotg.com/why-most-visual-effects-suck-but-some-dont/

Why can't we stop noticing bad visual effects whenever we go to the movies, even though VFX technology has never been better and film budgets have never been bigger? YouTube star Wren Weichman is an engineer turned self-taught visual effects artist. As a crew member at Corridor,

Zombieland 2 Double Tap - VFX Reel

November 1, 2019, 07:09 PM

https://vimeo.com/370302353

This is "Zombieland 2 Double Tap - VFX Reel" by SPIN VFX on Vimeo, the home for high quality videos and the people who love them.

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