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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Forrest Gump Wins Visual Effects: 1995 Oscars

June 22, 2015, 11:42 PM

https://www.aotg.com/forrest-gump-wins-visual-effects-1995-oscars/

Ken Ralston, George Murphy, Stephen Rosenbaum and Allen Hall win the Oscar for Visual Effects for Forrest Gump at the 67th Academy Awards. Steven Seagal presents the award.

What did the original colonists sound like?

June 22, 2015, 10:00 AM

https://www.aotg.com/what-did-the-original-colonists-sound-like/

A weekly show where we endeavor to answer one of your big questions. This week, Jacob Mitchell asks, "What did the original colonists sound like? Did they have a modern British accent?"

Sacred Ground Ceiling System

June 21, 2015, 09:44 PM

https://www.aotg.com/sacred-ground-ceiling-system/

The floor to ceiling dimension is the smallest dimension of the three we use in small room acoustics. With this small distance, low frequency energy is always present between the floor and ceiling. With three technologies within the ceiling we can add low frequency absorption and diffusion and distribute it in the proper physical room locations

Common After Effects Problems and Mistakes

June 21, 2015, 12:04 PM

https://www.aotg.com/common-after-effects-problems-and-mistakes/

Got problems using Adobe After Effects? In this video I will discuss some of the common problems and mistakes with Adobe After effects and how to fix them! M...

Show And Tell Of Alex Hilton A1 TriggerGate

June 21, 2015, 05:21 AM

https://www.aotg.com/show-and-tell-of-alex-hilton-a1-triggergate/

In this free video Russ takes a look at the free plug-in from Alex Hilton the A1 TriggerGate.

The Sound of Jurassic World

June 21, 2015, 12:34 AM

https://www.aotg.com/the-sound-of-jurassic-world-2/

In this exclusive SoundWorks Collection sound profile we talk with Sound Designer and Re-recording Mixer Pete Horner and Supervising Sound Editor and Sound Designer Al Nelson from Skywalker Sound about their work on Jurassic World.

07 SOM Julian Freeman LQ

June 21, 2015, 12:34 AM

https://www.aotg.com/07-som-julian-freeman-lq/

The time has come for another state of mind for artist talk. Please join us for a deep conversation with budding and very fresh artist Julian Freeman. Get a taste for the love of creating great art that all artist experience. The joy of making mistakes. Yes I said it. Joy. The importance even. And the ability to create work, over and over again until its right.

JW: Using Motion-Capture to Create Realistic Dinos

June 19, 2015, 09:54 AM

https://www.aotg.com/jw-using-motion-capture-to-create-realistic-dinos/

“Jurassic World” debuted with a record-shattering opening weekend, netting nearly half a billion dollars. See how Industrial Light & Magic used motion captur...

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