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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

NAB 2015 Video: Sound Devices

April 23, 2015, 09:44 AM

http://www.studiodaily.com/2015/04/nab-2015-video-...

Art Adams on the new Sound Devices Pix-E5, a compact HD display with focus peaking, quad split and waveform monitoring that also records all flavors of Apple ProRes (including 4444 XQ) in 4K. The post NAB 2015 Video: Sound Devices appeared first on Studio Daily.

NAB 2015 Video: Dolby

April 23, 2015, 09:44 AM

http://www.studiodaily.com/2015/04/nab-2015-video-...

Dolby's Roland Vlaicu describes new developments in the Dolby Vision HDR system, including a new Vizio TV with Dolby Vision built in, and news that Warner Bros. will be releasing HDR titles in 4K UHD through Vudu. The post NAB 2015 Video: Dolby appeared first on Studio Daily.

John Knoll Interview with StarWars.com

April 23, 2015, 05:18 AM

https://www.aotg.com/john-knoll-interview-with-starwars-com/

John Knoll, chief creative officer/senior visual effects supervisor of Industrial Light & Magic, speaks with StarWars.com at the Star Wars Celebration Anaheim cantina, discussing his career journey, co-creating Photoshop, and more!

Add Transitions in Resolve

April 22, 2015, 04:12 PM

https://www.aotg.com/add-transitions-in-resolve/

Quickly learn how to add BCC transitions to your footage or stills in DaVinci Resolve. Easily manipulate transition length and style using the animation tuning graph.

Excalibur In Action

April 22, 2015, 04:12 PM

https://www.aotg.com/excalibur-in-action/

Here's a nice walkthrough featuring a pair of mixes with Marcus Huyskens in the driver's seat. He shows how to polish a production using a few of the built-in Excalibur presets: no tweaking required. Performances by Marcus, Tamara Huyskens and Dan Rodrigues.

Quick Tip: CC Slant breezy grass

April 22, 2015, 12:47 PM

https://www.aotg.com/quick-tip-cc-slant-breezy-grass/

A quick way to make slant sway in the breeze. also, no keyframes, so thats cool. just a quick expression. Enjoy.

Color Grading with Alex Jordan: LUTs and Highlight

April 22, 2015, 12:47 PM

https://www.aotg.com/color-grading-with-alex-jordan-luts-and-highlight/

Join Alex Jordan and I for a conversation about LUTs and highlight rolloff, a couple of interesting topics in the context of color correction.

The Story of Animation

April 22, 2015, 09:35 AM

https://www.aotg.com/the-story-of-animation/

The film follows the journey of "You" (the main character), a 3rd-tier technical writer who dreams of one day being a product designer. Working after hours, he creates a fantastic new product. When he presents his product to his employers, they inform him that it's up to him to create an advertising campaign for the product - an advertising campaign that must be animated.

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