It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 9, 2015, 03:01 PM
https://www.aotg.com/interstellar-vfx-supervisors-talk-working-with-nol/
It’s no secret that Christopher Nolan makes big movies. While large-scale films have now become synonymous with lots and lots of visual effects, that’s actua...
February 9, 2015, 03:01 PM
https://www.aotg.com/creating-the-knightship-for-transformers-a-o-e/
Creating the Knightship for "Transformers: Age of Extinction" was an immense challenge for the visual effects team due to it's massive scale. In fact, the Knightship is over five times larger than the worm-like drilling robot that appeared in "Dark of the Moon" which had previously held the record at ILM for most complex model.
February 9, 2015, 03:00 PM
https://www.aotg.com/from-creation-to-final-mix-episode-1/
Sign up to download the tracks, watch next episodes and more www.avid.com/CreationToMix In this first episode, join famous South African band The Arrows and Grammy-nominated producer Fab ...
February 9, 2015, 10:11 AM
https://www.aotg.com/how-to-remove-unwanted-sounds-from-a-take/
Coughs, bangs, buzz, and other imperfections can distract from an otherwise flawless performance. In this video, RX guru Mike Thornton shows you how to remove them, using an acoustic guitar track an example.
February 9, 2015, 10:11 AM
https://www.aotg.com/fcpx-tutorial-custom-frame-sizes/
In this HD Voice tutorial for Apple Final Cut Pro X we learn how to create custom project frame sizes, so we can start outputting to a variety of platforms such as smartphones, web viewers as well as setting up a project so you can edit in anamorphic widescreen without the crop bars. We also consider the way different screen sizes can be used to creatively influence the story.
February 9, 2015, 04:53 AM
https://www.aotg.com/2014-ace-eddie-awards-best-edited-half-hour-series/
2014 ACE Eddie Awards Best Edited Half-Hour Series For Television - 2014 ACE Eddie Awards Opening Sequence American Cinema Editors
February 9, 2015, 04:52 AM
https://www.aotg.com/2014-ace-eddie-awards-career-achievement-award-2/
2014 ACE Eddie Awards Career Achievement Award - Richard Halsey ACE - Introduction
February 9, 2015, 04:51 AM
https://www.aotg.com/resolve-11-color-match-automate-color-correction/
Davinci Resolve 11 released last week, including the free Lite version. One of the new features in this version that intrigues me most is the Color Match Pal...
February 9, 2015, 04:51 AM
https://www.aotg.com/editing-cop-car-in-premiere-pro/
Co-editors, Megan Brooks and Andrew Hasse discuss Cop Car, which premiered at Sundance 2015. The two learned Adobe Premiere Pro on the job and found able to easi...
February 9, 2015, 04:50 AM
https://www.aotg.com/cutting-the-stanford-prison-experiment/
Susan Kim, assistant editor on The Stanford Prison Experiment, talks about editing native 5K with Adobe Premiere Pro. “The relationship between technology...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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