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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Spider-Man Goes Full Deadpool In Far From Home’s

December 14, 2019, 02:40 PM

https://www.cinemablend.com/news/2486734/spider-ma...

Spider-Man: Far From Home was one of 2019’s biggest blockbusters. The Web-Slinger’s sequel took fans to tourist attractions all over Europe as Peter Parker’s class embarked a much-needed vacation whilst processing the intense events of Avengers: Endgame. Behind the scenes, there’s a lot that went into crafting the massive action sequences in Far From Home from a visual effects standpoint – namely with Spidey’s final showdown with Mysterio in London.

SPIDER-MAN - FAR FROM HOME: VFX Breakdown

December 13, 2019, 02:14 PM

https://www.artofvfx.com/spider-man-far-from-home-...

Don’t miss this VFX Breakdown by Sony Pictures Imageworks about the final battle in London for SPIDER-MAN – FAR FROM HOME...

RAISING DION: VFX Breakdown by Cinesite

November 26, 2019, 08:45 PM

https://www.artofvfx.com/raising-dion-vfx-breakdow...

Come have a look at the work of Cinesite on the Netflix serie, RAISING DION...

SPIDER-MAN - FAR FROM HOME: VFX Breakdown

November 21, 2019, 02:25 PM

https://www.artofvfx.com/spider-man-far-from-home-...

How to get a look at the Venice battle sequence from SPIDER-MAN - FAR FROM HOME made by the teams of Scanline VFX...

How to Create a Sci-Fi Building Generator in Houdi

November 21, 2019, 02:25 PM

https://lesterbanks.com/2019/11/how-to-create-a-sc...

Simon Verstraete shows how to create a sci-fi building generator using Houdini. Technical/Houdini Artist Simon Verstraete shows how to create a sci-fi building generator inside of SideFX Houdini. The system, when complete, will allow you

Scanline's 'Far From Home' reel is a powerful forc

November 20, 2019, 01:49 PM

https://beforesandafters.com/2019/11/21/scanlines-...

Take a look at Scanline’s VFX breakdown reel here for Spider-Man: Far From Home. There’s a TON of water sims, FX sims, and environment creation.

GEMINI MAN: Guy Williams - VFX Supervisor

November 18, 2019, 06:50 PM

https://www.artofvfx.com/gemini-man-guy-williams-v...

In 2017, Guy Williams explained the work of Weta Digital on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on GEMINI MAN.

ANTHEM "CONVICTION": VFX Breakdown by UPP

November 18, 2019, 02:16 PM

https://www.artofvfx.com/anthem-conviction-vfx-bre...

UPP presents their work on this really cool short film for ANTHEM...

THE BOYS: VFX Breakdown by Pixomondo

November 15, 2019, 05:19 PM

https://www.artofvfx.com/the-boys-vfx-breakdown-by...

Come have a look at the work of Pixomondo on the first season of THE BOYS...

ZOMBIELAND - DOUBLE TAP: Mo Sobhy - VFX Supervisor

November 14, 2019, 09:06 PM

https://www.artofvfx.com/zombieland-double-tap-mo-...

Mo Sobhy started his VFX career in 2003 at Framestore. He then worked at MPC and Cinesite before joining Rodeo FX in 2019. He worked on many films such as X: FIRST CLASS, GODZILLA, BATMAN V SUPERMAN: DAWN OF JUSTICE and STRANGER THINGS.

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