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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blackmagic's Moritz Fortmann Grading with Resolve

March 13, 2016, 06:22 AM

https://www.aotg.com/blackmagics-moritz-fortmann-grading-with-resolve/

Blackmagic’s resident expert colorist, Moritz Fortmann gives a special color grading and round-tripping master workflow in DaVinci Resolve...

Sony A7S II: Color Grading Samples

February 25, 2016, 10:33 AM

https://www.aotg.com/sony-a7s-ii-color-grading-samples/

Color corrected and graded S-Log2 & S-Log3 footage captured with the Sony Alpha 7S II internally at 100Mbps (XAVC-S codec) in Ultra HD resolution (3840x2160). PLEASE NOTICE: The footage has been pushed to the limit on purpose to see how much grading the XAVC-S codec can handle. Due to the quality compression on YouTube more blocking / artifacts are visible than in the original footage!

Mixing multiple RRTs in an ACES workflow

February 15, 2016, 02:13 PM

https://www.aotg.com/mixing-multiple-rrts-in-an-aces-workflow/

ACES gives us colorists amazing possibilities with seamless and lossless workflows and look creation.As mentioned in the video you can find great infos about the ACES technology and theory. But so far I couldn't find anything from a colorists perspective. Here we go...

Create a 2-Color Chroma-key Effect (FCPX)

February 15, 2016, 12:32 PM

https://www.aotg.com/create-a-2-color-chroma-key-effect-fcpx/

Green-screen effects, also called “chroma-key effects,” allow us to easily insert a foreground actor, or any other object, into a different background. But, exactly, how do you do this? We’ve all seen “behind-the-scenes” footage of giant green-screen stages, with vast crews and big budgets. But, what if your means are more modest? That’s where this session can help.

A Simple Trick to Work WAY Faster in Resolve 12

November 29, 2015, 08:38 PM

https://www.aotg.com/a-simple-trick-to-work-way-faster-in-resolve-12/

For more free color grading and DaVinci Resolve tutorials, go to...

Davinci Resolve 101

November 25, 2015, 01:20 PM

https://www.aotg.com/davinci-resolve-101/

This is an overview of new and updated program for ICA certified course for Davinci Resolve 101. This is the fastest way to get familiar with this great software that is increasingly becoming something of a Photoshop for motion picture. For more info about this 2 day class visit

Resolve in Under 5 Min: Custom Monochrome Effects

November 11, 2015, 04:51 AM

https://www.aotg.com/resolve-in-under-5-min-custom-monochrome-effects/

In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman teaches you how to create highly customizable monochrome effects in DaVinci Resolve 12. This technique will take you far beyond simple desaturation, allowing you to fine tune your shots to get the exact the look you desire.

Modify Keys with RGB Controls

November 5, 2015, 05:32 AM

https://www.aotg.com/modify-keys-with-rgb-controls/

In this episode of DaVinci Resolve in Under 5 Minutes, Alexis shows you how to connect a key output to an RGB input in order to give you more control over your keys and fine tune your color corrections.

Making money as a colorist

October 22, 2015, 10:26 AM

https://www.aotg.com/making-money-as-a-colorist/

In this film we will be discussing making money as a colorist.

Using LUT's in Adobe Premiere CC 2015

October 8, 2015, 04:32 AM

https://www.aotg.com/using-luts-in-adobe-premiere-cc-2015/

Collection of 40 look-up-tables (LUTs) that will quickly transform your footage to give it a cinematic look. Each LUT creates a unique look that can be used on it's own or in combination with your traditional color grading workflow. The entire collection of looks was created by Tom Antos to aid in his workflow over the past few years. These original looks have been used in numerous films, music videos and documentaries that Tom worked on.

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