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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How and Why to Create an Audio Bus in Adobe Auditi

September 25, 2018, 05:53 AM

https://www.aotg.com/how-and-why-to-create-an-audio-bus-in-adobe-auditi/

This week, we take a look at audio mixing for FCP X projects. The short answer is that, while FCP X excels at audio editing, it isn’t that great for audio mixing.

IBC 2018: Dolby's Rob Caroll

September 22, 2018, 05:50 AM

https://www.youtube.com/watch?v=ojnGOKHhzKo

Dolby was at IBC showing Dolby Vision, its HDR distribution system. Dolby was demonstrating how to master and create DolbyVision metadata in the color grading suite. Their V.4.O tools were also on display.

VR Audio: Viewing 360 Videos

August 10, 2018, 04:27 AM

https://www.youtube.com/watch?v=W7-2tOlxNS8

Avid Audio Solution Specialist Simon Sherbourne looks at ways to monitor 360 video content and shows how to audition a 360 mix from different viewing directions. You'll also learn how to check your mix in an Oculus Rift VR Head Mounted Display. MORE TUTORIALS AT https://www.avid.com/pro-tools-ultimate/learn-and-support#Tutorials

VR Audio: Panning/Positioning

August 10, 2018, 04:27 AM

https://www.youtube.com/watch?v=k9I4V76sUr4

Avid Audio Solution Specialist Simon Sherbourne shows you how to assemble source audio content into a 360 degree sound environment. You'll also see how to rotate an Ambisonic recording to align with video with Audio Ease’s Rader visualizer. MORE TUTORIALS AT https://www.avid.com/pro-tools-ultimate/learn-and-support#Tutorials

VR Audio: Session Structure

August 10, 2018, 04:27 AM

https://www.youtube.com/watch?v=p7olXJuE9_w

Avid Audio Solution Specialist Simon Sherbourne explores ways to monitor 360 video content and audition a 360 mix from different viewing directions. You'll also learn how to check your mix in an Oculus Rift VR Head Mounted Display. MORE TUTORIALS AT https://www.avid.com/pro-tools-ultimate/learn-and-support#Tutorials

VR Audio: Intro to Ambisonics in Pro Tools

August 10, 2018, 04:27 AM

https://www.youtube.com/watch?v=A4q_9MR4jOM

Avid Audio Solution Specialist Simon Sherbourne introduces the Facebook Spatial Workstation suite of plug-ins for building, auditioning and mastering an Ambisonics mix that is included with Pro Tools | Ultimate. MORE TUTORIALS AT https://www.avid.com/pro-tools-ultimate/learn-and-support#Tutorials

4 Tips for better audio on set

August 5, 2018, 09:22 AM

https://nofilmschool.com/2018/08/4-pro-tips-will-h...

What does it take to record pro-quality sound while shooting on location? Sure, you need a decent microphone (that's kind of a given), but what are some essential techniques that you can put into practice today that will not only give you audio that sounds good but also sound that is dimensional and works well with your story? In this video, Aputure's Ted Sim talks with Location Sound Mixer Andrew Jones about how to record better audio for films, videos, and other cinematic projects.

SPACES Amsterdam

July 3, 2018, 06:30 AM

http://nowcastnetwork.com/NowcastNetwork/nfblog/?p...

This entry was posted on Tuesday, July 3rd, 2018 at 12:23 am and is filed under AudioNowcast. You can follow any responses to this entry through the RSS 2.0 feed. Responses are currently closed, but you can trackback from your own site.

How To Use Reverb To End A Song In Premiere Pro

June 20, 2018, 05:30 PM

https://motionarray.com/tutorials/premiere-pro-tut...

Learn how to end a song at any point by adding reverb in premiere pro. With this quick solution you can bring your music to a natural conclusion without messy splicing. Perfect for working with royalty free music!

#premiere pro audio#add reverb to music#how to end a song with reverb#premiere pro tips#royalty free music tips
Sound Devices Breaks Wireless Game Audio Ltm

April 12, 2018, 06:11 AM

https://nofilmschool.com/2018/12/sound-devices-bre...

Recently, Sound Devices purchased Audio Limited, a UK manufacturer of wireless microphone systems, and is now offering the A10 wireless audio system. The A10 is a digital-based wireless system with separate transmitter and receiver. It offers a tuning range of 470 to 694 MHz in the U.S., so it's future-proof in terms of the FCC's 600 Bandwith Auction, which sold parts of the 600 MHz band to cellular and cable companies.

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