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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve 17 Fusion Training - 3D Compositing in Fusion

January 7, 2022, 12:56 PM

https://www.youtube.com/watch?v=mK1xRwKxvzI

In the final training video in this series, you’ll learn about the powerful 3D compositing tools on the Fusion page. Fusion features a true 3D workspace for compositing and creating cinematic visual effects and motion graphics. In this tutorial, you’ll use the advanced 3D camera tracker to create a virtual camera before adding objects into the environment. You’ll also discover how to use the tools to paint out unwanted objects to improve your shot.

#blackmagic design#davinci resolve#fusion
DaVinci Resolve 17 Fusion Training - Introduction to Fusion

January 7, 2022, 12:53 PM

https://www.youtube.com/watch?v=mJf1-Ilgis8

This first video provides you with an introduction to the Fusion page and its node based interface. You’ll learn how to work with nodes when building a basic composite and discover how to animate with keyframes.

#blackmagic design#davinci resolve#fusion
Last Night in Soho VFX Breakdown

December 27, 2021, 10:58 AM

https://www.artofvfx.com/last-night-in-soho-vfx-br...

Let’s have a look at the impressive invisible work made by DNEG on the movie, Last Night in Soho...

Eternals VFX Breakdown by ILM

December 17, 2021, 08:54 AM

https://www.artofvfx.com/eternals-vfx-breakdown-by...

Be sure to watch this really cool VFX Breakdown by ILM focusing on their environment work and how they created the Deviants for the Marvel Studios movie, Eternals...

Just Beyond Which Witch VFX Breakdown

December 1, 2021, 08:38 AM

https://www.artofvfx.com/just-beyond-which-witch-v...

Let’s have a look at the work made by VFX Legion for the Disney+ series, Just Beyond...

Why Dunes Visual Effects Feel So Different

November 20, 2021, 08:37 AM

https://www.youtube.com/watch?v=uIKupTibxKQ

Why Dune's Visual Effects Feel So Different

The Harder They Fall Behind the FX

November 19, 2021, 08:42 AM

https://www.artofvfx.com/the-harder-they-fall-behi...

Netflix has released this interesting featurette about the seamless visual effects work explained by Director Jeymes Samuel and VFX Producer David P.I. James for the western movie, The Harder They Fall...

Watch Juices VFX breakdown for Margrete Queen o

November 3, 2021, 08:47 AM

https://beforesandafters.com/2021/11/03/watch-juic...

Here’s how the studio crafted the VFX for the film.

Go behind the scenes of the The French Dispatch

October 27, 2021, 08:37 AM

https://beforesandafters.com/2021/10/27/go-behind-...

Fantastic video from Berton Pierce showcasing Simon Weisse’s miniatures unit on the film.

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