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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Zoom F8 Input Limiters

September 21, 2015, 04:50 AM

https://www.aotg.com/zoom-f8-input-limiters/

When I first saw the Zoom F8 audio field recorder prototype at NAB 2015, I was a little skeptical. How could they make a pro level field recorder for only $1000? Most of the pro level devices are priced at least twice that, and those with 8 mic inputs are often 3 to 4 times that. But the specs looked really, really good on the most important things: the preamps and analogue to digital converter.

The Sound of The Maze Runner: Scorch Trials

September 20, 2015, 06:25 AM

https://www.aotg.com/the-sound-of-the-maze-runner-scorch-trials/

In this exclusive SoundWorks Collection sound profile we talk with The Maze Runner: Scorch Trials Director Wes Ball and his picture and sound team including Supervising Sound Editor and Sound Designer Ai-Ling Lee, Film Editor Dan Zimmerman, and Sound Re-recording Mixers Rob Bartlett and Doug Hemphill.

The Music of Black Mass with Junkie XL

September 20, 2015, 06:24 AM

https://www.aotg.com/the-music-of-black-mass-with-junkie-xl/

In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer Tom Holkenborg (Junkie XL) about his work on the film Black Mass.

Creative Sound Design - Finger Mics

September 18, 2015, 04:55 AM

https://www.aotg.com/creative-sound-design-finger-mics/

This three part course starts out with a collection of tutorials that explore rhythmic processing. Here, Diego shows you how to create a complete percussion ensemble from a single recording of guitar strings being struck with sticks. The audio processing chain that he's designed is a signal flow masterpiece. Its like he creates something out of nothing. Its truly magical.

Pro Tools Control: A Quick Test Of v1.0.4 With Euc

September 17, 2015, 04:30 AM

https://www.aotg.com/pro-tools-control-a-quick-test-of-v1-0-4-with-euc/

Following the release of Eucon 3.3.1 and an update to Pro Tools Control Mike does a quick test to see what works and what doesn't work.

IBC 2015: iZotope

September 16, 2015, 12:26 PM

https://www.aotg.com/ibc-2015-izotope/

At IBC 2015, iZotope's Rob D'Amico talks about the new RX5 Advanced Audio Editor and the RX post production suite. For more IBC 2015 news, visit www.postPerspective.com

Interview with Manny Marroquin & Larry Crane

September 16, 2015, 09:26 AM

https://www.aotg.com/interview-with-manny-marroquin-larry-crane/

Mixer Manny Marroquin has conducted a mixing seminar at La Fabrique Studios in June 2015 as part of the Mix With The Masters Series.

Review Of The Fabfilter Pro-C 2 Compressor Plug-in

September 15, 2015, 01:56 PM

https://www.aotg.com/review-of-the-fabfilter-pro-c-2-compressor-plug-in/

Watch as Paul Drew takes you through the new updated compressor plug-in from FabFilter, the Pro-C 2. Shown in Studio One, Pro-C 2 is equally at home in all the main DAWs including Pro Tools Logic Pro and Ableton Live.

Zoom F8 Initial Impressions

September 15, 2015, 05:01 AM

https://www.aotg.com/zoom-f8-initial-impressions/

When I first saw the Zoom F8 audio field recorder prototype at NAB 2015, I was a little skeptical. How can they make a pro level field recorder for only $1000. Most of the pro level devices are priced at least twice that, and those with 8 mic inputs are often 3 to 4 times that. But the specs looked really, really good on the most important things: the preamps and analogue to digital converter.

Quick Tip: Reset MIDI Devices

September 12, 2015, 10:55 AM

https://www.aotg.com/quick-tip-reset-midi-devices/

Have you ever forgotten to connect your MIDI controller before opening REAPER? Here's a quick fix to get your controller recognized without needing to close your project.

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