It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 15, 2019, 06:29 AM
https://www.artofvfx.com/the-man-in-high-castle-se...
Come have a look at the work of Barnstorm VFX on the third season of THE MAN IN HIGH CASTLE...
April 15, 2019, 06:28 AM
https://3dtotal.com/news/general/tyflow-for-3ds-ma...
Tyson Ibele is working on TyFlow, a complete rewrite of the Particle Flow system in 3ds Max.
April 11, 2019, 10:11 AM
https://www.artofvfx.com/love-death-robots-making-...
Be sure to watch these great making of released by Netflix about the creation of the episodes of LOVE, DEATH & ROBOTS...
April 9, 2019, 06:02 AM
https://www.artofvfx.com/the-name-of-the-rose-vfx-...
Italian studio visualogie presents their VFX work on the serie THE NAME OF THE ROSE...
April 5, 2019, 11:01 AM
https://www.artofvfx.com/qatar-airways-a-world-lik...
Have a look at how MPC created the VFX on this commercial QATAR AIRWAYS...
April 2, 2019, 06:33 AM
https://www.artofvfx.com/game-of-thrones-featurett...
HBO have released this interesting video about the Visual Effects work on the previous seasons of GAME OF THRONES explained by VFX Supervisor Joe Bauer and VFX Producer Steve Kullback...
April 1, 2019, 06:28 AM
https://www.artofvfx.com/the-umbrella-academy-behi...
Netflix have released this behind the scenes video about Pogo from THE UMBRELLA ACADEMY created by the teams of Weta Digital...
March 25, 2019, 12:37 PM
https://www.artofvfx.com/the-orville-s02e08-tommy-...
The team of FuseFX, composed of Tommy Tran & Kevin Lingenfelser (VFX Supervisors) and Matt Von Brock (CG Supervisor), talk about their work on the Space Battle sequence for this episode of THE ORVILLE...
March 21, 2019, 07:21 AM
https://www.artofvfx.com/roma-vfx-breakdown-by-mr-...
Come have a look at the seamless work of Mr. X on ROMA...
March 19, 2019, 09:31 AM
https://www.mpaa.org/2019/03/captain-marvel-vfx-re...
If there was one defining theme to Captain Marvel‘s visual effects, it was transformation. Many of the characters (spoiler alert)—including Goose the cat—are not what they appear. That’s most evident in the film’s would-be bad guys, the Skrulls. Their main ability is to transform themselves into any person (or object, apparently) they see. This could be an old lady on a train, a surfer, or Clark Gregg’s Agent Coulson.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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