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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

3 Different Types of LUTs That Filmmakers Use

September 10, 2017, 07:01 AM

http://nofilmschool.com/2017/09/3-different-types-...

LUTs are an essential tool for any filmmaker. They can make your images more stylish, rich, and dynamic while making the process of color grading a whole lot easier to navigate. This aesthetic purpose is typically what a lot of new filmmakers think about when they think about LUTs, but these color tools can actually do a lot more than that. In this video, Ted Sim from Aputure lays out the different kinds of LUTs filmmakers use as well how they use them on and off set.

How Picasso Can Take Your Film to the Next Level

September 8, 2017, 04:19 AM

https://www.aotg.com/how-picasso-can-take-your-film-to-the-next-level/

What can we learn from Pablo Picasso's style and philosophy and apply to filmmaking and editing?

Motionographer Colour on Colour

August 17, 2017, 10:01 AM

http://motionographer.com/quickie/colour-on-colour...

Ongoing experiments using film to drive procedural content.

The Visual Color Palette of Soderbergh's Films

August 11, 2017, 09:37 AM

https://www.aotg.com/the-visual-color-palette-of-soderberghs-films/

Steven Soderbergh prefers to forgo the "possessory credits" that put his name front and center at the beginning of his movies, and he’s done so much highly varied work over his long and astonishingly prolific career that his style (and he has a lot of style) has come to be considered highly adaptable rather than highly recognizable.

‘Mad Max: Fury Road’ Color Grading Breakdown V

July 8, 2017, 05:39 PM

http://www.indiewire.com/2017/07/mad-max-fury-road...

It’s now been over two years since “Mad Max: Fury Road” first raced into our hearts, and yet we still can’t stop thinking about it almost every single day. Fortunately, neither can most cinephiles. Every month there appears to be a new exploration of the action movie, breaking down one of its pitch perfect visual elements. The latest video essay comes from Fandor, and it breaks down the color grading that makes “Fury Road” such an eye-popping visual experience.

How Wonder Woman Uses Color

July 5, 2017, 12:28 PM

https://www.aotg.com/how-wonder-woman-uses-color/

A mini video essay on how WONDER WOMAN uses color as a storytelling device.

What are LUTs?

May 12, 2017, 04:43 AM

https://www.aotg.com/what-are-luts/

Thanks to LensProToGo and Alex from Archaius Creative for their introduction and brief explanation on what LUTs are.

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