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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid Graphics Solutions Boosts betevé’s Audienc

November 7, 2017, 01:21 PM

https://www.aotg.com/avid-graphics-solutions-boosts-beteves-audienc/

Avid’s next-generation graphics tools enable Spanish broadcaster betevé to create and distribute high-quality news efficiently, and better meet changing media consumption habits.

Making The Cut: Steven Worsley, editor War & Peace

November 7, 2017, 10:37 AM

https://www.aotg.com/making-the-cut-steven-worsley-editor-war-peace/

Steven Worsley discusses his recent drama projects, including War and Peace, and what he learned from being an edit assistant.

What are Motion Graphics templates for Premiere?

November 6, 2017, 05:12 AM

https://www.aotg.com/what-are-motion-graphics-templates-for-premiere/

Motion Graphics Templates (MOGRTs) are an amazing new file format for adding animated graphics into Premiere Pro quickly and easily. Here's a short video tutorial explaining what they are and how to use them.

#adobe#after effects#premiere pro#graphics#video editing#motion graphics#templates#video production#motion graphics templates#mogrt
Editor Michael Berenbaum, ACE on Breaking the Rule

November 3, 2017, 04:05 PM

https://www.aotg.com/editor-michael-berenbaum-ace-on-breaking-the-rule/

Michael Berenbaum, ACE, has been editing feature films and television in New York for over twenty years. He has worked with such directors as Joel and Ethan Coen, John Turturro, Al Pacino, Julian Schnabel, and Martin Scorsese. His television work includes "Sex and the City," for which he won two ACE awards, the pilot for "Desperat...

All Hollywood VFX Removed! What Movies Really Look

November 1, 2017, 04:39 PM

https://www.aotg.com/all-hollywood-vfx-removed-what-movies-really-look/

It used to be that what you saw on a movie set would pretty much be what you saw in the final movie. If you wanted to have a mountain in the background, you'd have to go to one. However with modern technology, CGI has made it possible to have that mountain in the background without even leaving your home. Just whip up a green screen and you're good to go! This advancement in technology has meant for some big differences between what is filmed and what we see in the final movie.

The A-List — Julian Smirke (Star Wars: The Force

November 1, 2017, 04:21 PM

https://www.youtube.com/watch?v=k-00yIDQlhE

Julian Smirke is known for his work as an Assistant Editor of Star War: The Force Awakens. Other credits include Star Trek (2009), Star Trek Into Darkness (2013), and Mission: Impossible Ghost Protocol (2011). Kristen Young is known for her work as an Assistant Editor: Performance Capture for Avatar. Other credits include Superbad (2007), The Fast and the Furious: Tokyo Drift (2006), and X-Men: First class (2011). Watch more stories on http://www.avid.com/the-a-list/ Download your FRE...

Making The Cut: Pietro Scalia, ACE, editor Gladiat

October 31, 2017, 09:18 AM

https://www.aotg.com/making-the-cut-pietro-scalia-ace-editor-gladiat/

Multi-award winning editor Pietro Scalia, ACE discusses his approach to film editing, which see him identifying his own emotional reactions within a scene.

How to Color Grade in FCP and Create Your Own LUTs

October 31, 2017, 05:05 AM

https://fstoppers.com/education/how-color-grade-yo...

Color grading is one of the important parts of the editing process, as it can give your video footage a very personal look that differentiates it from your peers. This awesome video will show you not only how to color grade your footage, but how to create and save your own looks to apply down the road.

Andy Serkis Explains Motion Capture

October 26, 2017, 04:37 AM

https://www.aotg.com/andy-serkis-explains-motion-capture/

‘War for the Planet of the Apes’ star Andy Serkis is the world’s greatest motion capture performer. His abilities are so in-demand that much of the technology behind motion capture has evolved along with his performances. Andy breaks down some of the major moments of his career along with how the filmmaking tools have changed alongside it.

The A-List — Josh Earl, ACE (Deadliest Catch) an

October 25, 2017, 12:34 PM

https://www.aotg.com/the-a-list-josh-earl-ace-deadliest-catch-an-2/

Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards.

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