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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Rendering and Compositing With Arnold AOVs

December 13, 2016, 01:18 PM

http://lesterbanks.com/2016/12/rendering-compositi...

If you are still a little unclear as to how you can render various passes with Solid Angle Arnold and composite them into a single shot, you are in luck. Lighting TD Arvid Schneider posts a look into creating and compositing Arnold AOVs. Arvid walks through how to render the most used Arnold AOVs using The Post Rendering and Compositing With Arnold AOVs originally appeared and published on %%BLOGLINK%,by lesterbanks

The Angus Wall feature in Premiere Pro

December 13, 2016, 01:17 PM

https://www.aotg.com/the-angus-wall-feature-in-premiere-pro/

Angus Wall is an Oscar winning director and he helped to shape Premiere Pro into a powerful feature film editing program. This tutorial shows one of the many features that he requested.

The Current State of HDR

December 13, 2016, 06:06 AM

https://www.aotg.com/the-current-state-of-hdr/

http://www.larryjordan.com - Our "Ask Larry Anything” webinars cover a wide-range of subjects and are available exclusively to Video Training Library members. The questions answered during our most recent "Ask Larry Anything” webinar covered: The current state of HDR media, Apple Final Cut Pro X, Apple Compressor, Apple Motion, Adobe Premiere Pro CC, & Adobe Audition. This short video tutorial, excerpted from that webinar, explains the current state of HDR (High Dynamic Range) media...

MISS PEREGRINE'S VFX Breakdown

December 12, 2016, 10:21 AM

http://www.artofvfx.com/miss-peregrines-home-pecul...

Thanks to VFX Supervisor Frazer Churchill for this exclusive VFX Breakdown about the VFX work by Double Negative, Scanline VFX and more on MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN...

Create Multicam Clips Containing Different Frame S

December 12, 2016, 10:20 AM

https://www.aotg.com/create-multicam-clips-containing-different-frame-s-2/

Our "Ask Larry Anything” webinars cover a wide-range of subjects and are available exclusively to Video Training Library members. The questions answered during our most recent "Ask Larry Anything” webinar covered: The current state of HDR media, Apple Final Cut Pro X, Apple Compressor, Apple Motion, Adobe Premiere Pro CC, & Adobe Audition.

Job Chaining Speeds Compression (Apple Compressor)

December 12, 2016, 10:20 AM

https://www.aotg.com/job-chaining-speeds-compression-apple-compressor-2/

Both Adobe Media Encoder (AME) and Apple Compressor recently underwent upgrades. So, with our "Comparing Apple Compressor to Adobe Media Encoder" webinar, we wanted to compare & contrast the two softwares to see what’s new; along with a look at some advanced features that we have not covered in the past.

Coming Soon: mocha VR on Vimeo

December 12, 2016, 06:01 AM

https://www.aotg.com/coming-soon-mocha-vr-on-vimeo/

mocha VR: Coming Soon from Boris FX & Imagineer Systems

360 VR Filmmaking

December 10, 2016, 12:00 PM

https://www.cinema5d.com/magic-behind-360-video-go...

Please visit our sponsors’ websites to keep new episodes of ON THE GO coming! Thanks to Hedge for Mac, G-Technology, Røde Microphones, Sachtler, in association with Ford Netherland (thanks for the Ford Galaxy car loan!) and Sony Europe (thanks for the 4K Action cam loan!)

Efficient Rendering of Heterogeneous Poly Disperse

December 8, 2016, 10:39 AM

https://www.aotg.com/efficient-rendering-of-heterogeneous-poly-disperse/

We address the challenge of efficiently rendering massive assemblies of grains within a forward path-tracing framework. Previous approaches exist for accelerating high-order scattering for a limited, and static, set of granular materials, often requiring scene-dependent pre-computation. We significantly expand the admissible regime of granular materials by considering heterogeneous and dynamic granular mixtures with spatially varying grain concentrations, pack rates, and sizes.

What I love about the new Final Cut Pro X

December 1, 2016, 01:33 PM

http://www.youtube.com/watch?v=1Acr37xjumo

FCPX editing software lets you manage less and focus more on emotion and story. The magnetic timeline allows for trackless editing and the new update 10.3 introduces audio lanes for split audio tracks (to output to your audio mixer). Cognitive selecting through events and keyword assignment as well as visual scrubbing are great ways to emotionally engage with your footage and stay in editing flow. Music in part by MUSIC VINE (10% off): https://musicvine.net/thisguyedits FCPx: Event-Bas...

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