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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Storks – John Venzon, ACE

October 14, 2016, 04:30 PM

http://moviola.com/inside-hollywood/storks-john-ve...

Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby. Join editor John Venzon as he shares his experience about working on an animated project - from start to finish. He explains what exactly goes into this unique editing process, how this film differs from other animated films he has worked on, and how much fun went into making this heartwarming film. The post Storks –...

Post-Production Workflow of Bundesliga Football Le

October 14, 2016, 12:11 PM

https://www.youtube.com/watch?v=lKdubLUCI70

Nils Welter shares the complete post-production workflow used by Bundesliga Football League and powered by Adobe Creative Cloud tools.

The Colonie Cuts spot for Toyota Corolla 2017

October 13, 2016, 12:59 PM

https://www.aotg.com/the-colonie-cuts-spot-for-toyota-corolla-2017/

Burrell Communications Calls Upon Cutter Bob Ackerman & the Creative Editorial Boutique’s Team for ‘I Do,’ An Upbeat Commercial With a Contemporary Feel Tailored to its Young African American Target Market

#postproduction#editorial#commercials
The Art of the Car Chase

October 12, 2016, 09:24 AM

https://www.aotg.com/the-art-of-the-car-chase/

Editing a car chase is no doubt hard and difficult work. Editing 50 of them together does make it easier depending on how strict your standards of continuity are. I tried to have "sections" of continuity - little scenes, that tell their own little stories, but don't necessarily fit together as such.

Edit Faster with this Dead Simple Trick

October 12, 2016, 09:23 AM

https://www.aotg.com/edit-faster-with-this-dead-simple-trick/

How to Edit Faster with this Dead Simple Trick in Premiere Pro (double your editing speed)

Editor Curtiss Clayton on the Hallucination Sequen

October 11, 2016, 05:09 PM

http://www.youtube.com/watch?v=9lWknAoQ0dM

From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. Curtiss Clayton began an early collaboration with writer/director Gus Van Sant and edited some of his most significant films including "Drugstore Cowboy," "My Own Private Idaho," and "To Die For." He also collaborated with director Jonathan Kaplan on his films, "Brokedown Palace' and "Unlawful Entry.' He has edited six feat...

Motion Graphics and RE:Lens

October 11, 2016, 05:07 PM

https://www.aotg.com/motion-graphics-and-relens/

In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.

The Tools You Need for Powerful Post-Production

October 11, 2016, 05:07 PM

https://www.aotg.com/the-tools-you-need-for-powerful-post-production/

Jason Levine presents the seamless post-production workflow powered by Adobe Creative Cloud tools, including Premiere Pro, After Effects, and Audition.

Sarah Reimers Talks Her Love for E

October 11, 2016, 09:36 AM

https://www.aotg.com/sarah-reimers-talks-her-love-for-e/

With credits including Brave, Finding Dory and the recent, charming Pixar short Piper, Sarah Reimers is now firmly established in the leading ranks of animation editing talent. But it was her experiences in film school — and the phenomenal levels of interest by her peers in directing — that encouraged her to pursue editing.

10 Stages of Post-Production, from Data Storage to

October 11, 2016, 05:15 AM

http://nofilmschool.com/2016/10/10-stages-post-pro...

If you're interested in getting your feet wet in professional editing, you're going to need to learn the basics of each stage of the process, from how to store data to how to package deliverables, and Sareesh Sudhakaran of wolfcrow has made it a little easier for you to do so. In the video below, you'll be guided through 10 stages of post-production, including editing, color grading, and mastering, to get a clearer idea of what a typical workflow looks like for professional editors. He's also ma...

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