It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 27, 2017, 08:22 AM
https://www.filmmakingstuff.com/color-grading/
Color grading will give every film you create a unique vibe. At Filthy Look Films, we have been able to leverage our toolbox to create campaigns ranging from a Wrangler Asia-Pacific spot to a music video for artist 360. I believe that having the right tools for the job is vital.
September 26, 2017, 09:38 AM
http://nofilmschool.com/2017/09/watch-how-cgi-has-...
It seems as if more than just technology has advanced with the adoption of CGI, but let's begin at the beginning.
September 26, 2017, 09:38 AM
http://www.artofvfx.com/doctor-who-season-10-vfx-b...
Milk VFX presents their work on the 10th season of DOCTOR WHO in this VFX Breakdown...
September 25, 2017, 11:44 AM
https://www.aotg.com/ibc-2017-izotopes-jurgen-wirtz/
RX6 Advanced has new features based on machine learning. It's able to recognize specific patterns like dialogue or noise patterns.
September 25, 2017, 04:35 AM
http://nofilmschool.com/2017/09/learn-basics-using...
How do you tell a story? If you're a filmmaker you know that you have so much more than the written word at your disposal. You have dialogue, camera movement, framing, costuming, set design, and editing all there waiting to inform and entertain your audience. But there is one very powerful narrative element that should never go unnoticed on any film production: color.
September 23, 2017, 08:37 AM
https://www.aotg.com/ibc-2017-avids-matt-feury/
Avid was at IBC with Media Composer|First, a free version of the NLE. The non-free version of Media Composer now has new hardware - the new Avid Artist DMxIV. Also at the show was Nexis Pro for small production teams.
September 23, 2017, 08:37 AM
https://www.aotg.com/ibc-2017-ajas-bryce-button/
Along with many product updates AJA introduced its first Thunderbolt 3 product, the Io 4K Plus, at the show. AJA also partnered with Avid on the Avid Artist DNxIV.
September 23, 2017, 08:37 AM
https://www.aotg.com/ibc-2017-sgos-geoff-mills/
SGO was touting its multidimensional workflows, which essentially takes their core technology and feature set in Mistika Ultima and creating separate applications. Mistika VR was also being shown, featuring a new stereo toolset.
September 23, 2017, 08:36 AM
https://www.aotg.com/ibc-2017-adobes-bill-roberts/
Just prior to IBC, Adobe announced that its cloud collaboration tool Team Projects is now in V.1.0 within Premiere Pro. In terms of VR, there is GPU-accelerated effects and transitions within Premiere, including the ability to have immersive interaction within the headset. Plus updates to the entire Creative Cloud.
September 22, 2017, 04:20 PM
http://lesterbanks.com/2017/09/just-facts-working-...
E*D Films’ Eric Max Kaplan Has an In-Depth Look Into Working With DUIK’s AutoRigger to Make a Digital Puppet in After Effects You have a few choices for creating rigged characters in After Effects. The The Post Just the Facts: Working With DUIK’s AutoRigger originally appeared and published on %%BLOGLINK%,by lesterbanks
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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