It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 26, 2021, 08:49 AM
https://beforesandafters.com/2021/10/25/watch-this...
Care of Maere VFX supervisor Nicholas Ashe Bateman.
October 25, 2021, 08:48 AM
https://www.artofvfx.com/the-green-knight-vfx-brea...
Let’s have a look at the variety of the work made by Weta Digital on the movie The Green Knight...
October 13, 2021, 08:39 AM
https://www.artofvfx.com/the-rescue-vfx-breakdown-...
The teams of Scanline VFX take us for a ride with the Chinese Coast Guard as they show us their work on the movie The Rescue...
September 30, 2021, 09:06 AM
https://www.artofvfx.com/wrath-of-man-opening-titl...
Let’s watch this stylized opening titles created by Momoco for the Guy Ritchie movie, Wrath of Man...
September 28, 2021, 08:41 AM
https://www.artofvfx.com/foundation-main-title-by-...
Be sure to watch this beautiful main title sequence made by Imaginary Forces for the Apple TV+ sci-fi series, Foundation...
September 24, 2021, 08:55 AM
https://beforesandafters.com/2021/09/24/this-new-v...
The video is narrated by VFX supervisor Richard Bluff, and showcases ILM and its partner VFX studios' work on 'The Mandalorian', s2.
September 23, 2021, 08:52 AM
https://www.3dvf.com/v-ray-showreel-clients-2021/
Chaos dévoile une nouvelle bande démo consacrée aux projets ayant utilisé V-Ray ou Phoenix durant les 12 derniers mois.
September 23, 2021, 08:51 AM
https://www.artofvfx.com/the-irregulars-vfx-breakd...
Let’s have a look at how BlueBolt recreated a period London for the Netflix series, The Irregulars...
September 22, 2021, 08:51 AM
https://beforesandafters.com/2021/09/21/vfx-future...
In this latest VFX Futures podcast episode, Ian Failes from befores & afters chats to Halon previsualization supervisor Ryan McCoy and Halon on-set supervisor Grant Olin about the visualization of Free Guy. Halon, an NEP Virtual Studios Company, crafted previs, techvis and postvis for the movie.
September 22, 2021, 08:50 AM
https://beforesandafters.com/2021/09/21/go-to-film...
This new video from Warner Bros. showcases a lot of the work that went into Space Jam: A New Legacy, including by VFX studio ILM. Visual effects supervisor Grady Cofer, associate VFX supervisor Vick Schutz, VFX producer Marissa Gomes and digital animation supervisor Kevin Martel are featured.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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