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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Magic: The VFX of Warcraft

November 16, 2016, 05:45 PM

https://www.aotg.com/behind-the-magic-the-vfx-of-warcraft/

We are pleased to share a sample of the visual effects work created for Warcraft. ILM studios in San Francisco, Singapore and Vancouver each contributed to the film effects as did our partners Hybride, Base FX, El Ranchito, FX3X, Rodeo and Virtuos.

A MONSTER CALLS: Making of by Glassworks

November 15, 2016, 06:06 AM

https://www.aotg.com/a-monster-calls-making-of-by-glassworks/

Glassworks Barcelona presents the making of about their beautiful VFX work on A MONSTER CALLS...

THE MAGNIFICENT SEVEN: VFX Breakdown

November 11, 2016, 06:18 AM

http://www.artofvfx.com/the-magnificent-seven-vfx-...

Really nice VFX Breakdown by Zero VFX about their seamless work on THE MAGNIFICENT SEVEN...

DALOC THE ROBOT: VFX Breakdown by Troll VFX

November 8, 2016, 10:35 AM

http://www.artofvfx.com/daloc-the-robot-vfx-breakd...

Finnish studio Troll VFX presents their work on DALOC THE ROBOT...

MOCKINGJAY PART 1: VFX Breakdown

November 7, 2016, 05:27 PM

http://www.artofvfx.com/the-hunger-games-mockingja...

Rising Sun Pictures presents their VFX work on THE HUNGER GAMES – MOCKINGJAY PART 1...

THE HANDMAIDEN: VFX Breakdown by 4th Creative Part

November 6, 2016, 01:34 PM

https://www.aotg.com/the-handmaiden-vfx-breakdown-by-4th-creative-part/

Really nice invisible work by 4th Creative Party for THE HANDMAIDEN...

Day for Night Conversion with Adobe AE

November 4, 2016, 12:31 PM

https://www.aotg.com/day-for-night-conversion-with-adobe-ae/

Product Specialist Mary Poplin shows how the mocha Pro plug-in inside Adobe After Effects and the new Sapphire 10 plug-ins from GenArts (now part of the Boris FX family) can be used together to create a day for night conversion.

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