It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 17, 2016, 06:26 AM
https://www.aotg.com/doctor-strange-vfx-breakdown-2/
Doctor Strange VFX Breakdown
November 16, 2016, 05:45 PM
https://www.aotg.com/behind-the-magic-the-vfx-of-warcraft/
We are pleased to share a sample of the visual effects work created for Warcraft. ILM studios in San Francisco, Singapore and Vancouver each contributed to the film effects as did our partners Hybride, Base FX, El Ranchito, FX3X, Rodeo and Virtuos.
November 15, 2016, 06:06 AM
https://www.aotg.com/a-monster-calls-making-of-by-glassworks/
Glassworks Barcelona presents the making of about their beautiful VFX work on A MONSTER CALLS...
November 11, 2016, 06:18 AM
http://www.artofvfx.com/the-magnificent-seven-vfx-...
Really nice VFX Breakdown by Zero VFX about their seamless work on THE MAGNIFICENT SEVEN...
November 8, 2016, 10:35 AM
http://www.artofvfx.com/daloc-the-robot-vfx-breakd...
Finnish studio Troll VFX presents their work on DALOC THE ROBOT...
November 7, 2016, 05:27 PM
http://www.artofvfx.com/the-hunger-games-mockingja...
Rising Sun Pictures presents their VFX work on THE HUNGER GAMES – MOCKINGJAY PART 1...
November 6, 2016, 01:34 PM
https://www.aotg.com/the-handmaiden-vfx-breakdown-by-4th-creative-part/
Really nice invisible work by 4th Creative Party for THE HANDMAIDEN...
November 4, 2016, 12:31 PM
https://www.aotg.com/day-for-night-conversion-with-adobe-ae/
Product Specialist Mary Poplin shows how the mocha Pro plug-in inside Adobe After Effects and the new Sapphire 10 plug-ins from GenArts (now part of the Boris FX family) can be used together to create a day for night conversion.
November 4, 2016, 09:18 AM
https://www.aotg.com/the-art-and-science-of-green-screen-keying-pt2/
The Art and Science of Green Screen Keying, Part 2
November 4, 2016, 06:05 AM
https://www.aotg.com/daloc-the-robot-vfx-breakdown/
Daloc The Robot - VFX Breakdown
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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