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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Intel Dell WLI VFX Breakdown

May 8, 2015, 05:01 AM

https://www.aotg.com/intel-dell-wli-vfx-breakdown-3/

“What Lives Inside” is set in a richly surreal world inhabited by fantastical creatures - all crafted entirely in CG by MPC, including five creatures, six massive environments, and dozens of radically scaled up props.

The Digital Revolution with George Lucas

May 7, 2015, 09:34 AM

https://www.aotg.com/the-digital-revolution-with-george-lucas/

George Lucas talks about the digital revolution and how it changed the process of moviemaking.

Making-of documentary of the trailer - Victory is

May 7, 2015, 09:32 AM

https://www.aotg.com/making-of-documentary-of-the-trailer-victory-is/

In the documentary game developers and studio artists reveal all the secrets: they describe in detail the origin of the initial idea, the script writing, the filming, the soundtrack and the work “on location” and the visual effects of “Victory is Ours”.

The Custom Effects Workshop

May 6, 2015, 09:52 AM

https://www.aotg.com/the-custom-effects-workshop/

This has been teased and hinted at for a while and its finally here. Introducing my new Udemy Course: The Custom Effects Workshop.

VFX Break down Glimpse of War - by Jesse Pitela

May 4, 2015, 04:48 AM

https://www.aotg.com/vfx-break-down-glimpse-of-war-by-jesse-pitela/

Check out this awesome VFX breakdown by the talented Jesse Pitela! For more information, please see the details and links below: View more of Jesse's work at...

Avengers: Age of Ultron | Design FX

May 2, 2015, 09:09 AM

https://www.aotg.com/avengers-age-of-ultron-design-fx/

The Avengers return in Age of Ultron. Mike Seymour sat down with the men behind the special effects.

The Fisherman - VFX Breakdown - by Onirikal Studio

May 2, 2015, 09:07 AM

https://www.aotg.com/the-fisherman-vfx-breakdown-by-onirikal-studio-2/

Check out this insightful breakdown for the fantastic VFX Onirikal Studio created for the recent movie hit "The Fisherman" (Alejandro Suarez)!

Making a Life-Size Star Wars Sandcrawler Tread

May 2, 2015, 09:06 AM

https://www.aotg.com/making-a-life-size-star-wars-sandcrawler-tread/

We meet up with prop builders Mike McMaster, Gordon Tarpley, and Max Cervantes, who worked together to build an awesome 1:1 replica of a Sandcrawler tread from Star Wars for this year's Celebration. The build team explains how they completed the project in just a few weeks, making this wonderful backdrop for the droids and Jawas they've also built!

Now You Sea It - The VFX of Black Sails

May 1, 2015, 12:58 PM

https://www.aotg.com/now-you-sea-it-the-vfx-of-black-sails/

"Supporting Visual Effects" may be seamless and invisible, but they can still be crucial to a show. Erik Henry, vfx supervisor for "Black Sails" -- last year's Emmy winner for supporting vfx -- reveals just how much of the series' gritty visuals is created on a computer.

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