It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 6, 2015, 05:49 AM
http://www.digitalrebellion.com/blog/posts/kollabo...
Kollaborate 1.3 is a major update to our cloud workflow platform for video professionals. We've listened to your feedback and have added many new features based on your requests.Comment overhaulWe've completely overhauled the comment system to improve performance and provide timeline markers below the video (you can switch this off in the new Playback Settings dialog accessible from the Actions menu). You can click on a marker to highlight it in the Comments pane.Comments are now sortable ...
December 22, 2014, 09:54 PM
https://www.aotg.com/label-design/
We are a team of graphic designers specializing in label design works.A label design studio creating stunning graphics for companies worldwide.
#label design#graphic designDecember 16, 2014, 05:52 PM
http://blogs.adobe.com/premierepro/2014/12/ame-cc-...
The Adobe Media Encoder CC (2014.2) update will be available today as part of your Creative Cloud membership. This update includes features enhancements and a number of fixes. See below for details. Downloading Media Encoder CC (2014.2) The 2014.2 update is expected to be available to Creative Cloud members by the end of the day. Download Media Encoder CC (2014.2) via Creative Cloud on your desktop, or online through your Creative Cloud account. Please note that as of the 20...
December 16, 2014, 02:34 PM
http://blogs.adobe.com/creativecloud/adobe-video-a...
Creative Cloud offers pros performance and compatibility with the latest technologies. Adobe released updates today for its pro video applications including Adobe Premiere Pro CC, Adobe After Effects CC , Adobe Media Encoder CC, Adobe SpeedGrade CC, Adobe Audition CC, Adobe Prelude CC, and Adobe Story CC Plus. The 2014.2 release offers feature enhancements and updates, including YouTube and Vimeo uploading via Destination Publishing in Media Encoder CC for an easier, more integrated wor...
December 16, 2014, 02:34 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Red Giant Universe has won Videomaker’s Best Product of the Year award (Category: Plug-in.) You can read the full review HERE. Don’t wait! Join tens of thousands of users and get started with the over 80 video effects and transitions in Universe right now! JOIN FOR FREE
December 16, 2014, 02:33 PM
http://blogs.adobe.com/premierepro/2014/12/premier...
Today we’re announcing the release of Adobe Premiere Pro CC 2014.2, which contains some important editing enhancements, including support for Arri Open Gate media, the ability to set transitions and still image default durations in seconds or frames and Cineform Export improvements. We’ve also improved scrubbing and shuttling in long GOP MXF files. In addition, QuickTime and Cineform codecs are now available for use as sequence preview file formats on Windows. The 2014.2 update is exp...
December 11, 2014, 10:49 AM
http://www.prnewswire.com/news-releases/shuttersto...
NEW YORK, Dec. 11, 2014 /PRNewswire/ -- Shutterstock, Inc. (NYSE: SSTK), a leading global provider of commercial digital imagery and music, announced that Chris Hoerenz and Catherine Ulrich have joined the Company's executive management team.
December 9, 2014, 10:48 AM
http://www.marketwired.com/press-release/aries-a-n...
Adorama today announced the availability of the brand new Aries Blackbird X10, a professional, remotely controlled aerial quadcopter that captures First Person Video (FPV) from up to 1,500 feet. With its unique on-board camera, the Blackbird X10 is capable of shooting up to 1080P/30fps full HD video, as well as 16-megapixel still images in ultra-high resolution, with a flight time of up to 25 minutes per charge.
#android#ios#adorama#cinematography#professional photography#drones#aries blackbird#first person video#hd videoDecember 8, 2014, 01:36 PM
http://www.digitalrebellion.com/blog/posts/kollabo...
Last week we released Kollaborate Transfer 1.2, an important update to our free Kollaborate uploader.This update adds lots of improvements to queue management and greater performance and stability when dealing with large batches. We also fixed a couple of issues where the queue could stop processing if one of the files failed.In addition, the ability to choose whether or not a file should be automatically revised is now back, based on user feedback.We were made aware that due to an issue in ...
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
" target="_blank" class="external" permalink="https://www.aotg.com/objective-productions-uses-aframe/">Objective Productions Uses AframeDecember 4, 2014, 02:52 AM
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
" target="_blank">http://aframe.com/blog/2014/12/objective-productio...Aframe’s cloud video platform substantially changes Objective’s workflows for the better with “Toast of London” and “King of the Nerds”
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