It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2016, 04:13 PM
http://blogs.adobe.com/creativecloud/the-reality-o...
As reality TV food shows continue their popular trend with viewers, the Rocky Mountains have grown to become a hotbed for food television production. Over the past 32 years, Frank Matson and Denver-based Citizen Pictures have received multiple Emmy nominations and Daytime Emmy awards for work on shows like Diners, Drive-ins & Dives, Giada at Home, and other well-known lifestyle programming. Adobe talked to Andrew Moraski, Post Production Supervisor at Citizen Pictures, about how the growing ...
April 4, 2016, 04:13 PM
http://www.provideocoalition.com/technicolor-hdr-v...
High Dynamic Range is one of the essential elements of Technicolor’s presence at NAB 2016, but the company, that just received a “Star of Recognition” from the Hollywood Chamber of Commerce for its historic contributions to film and television, will also share its experience with Virtual Reality and other technologies, through a series of events The post Technicolor: HDR and Virtual Reality at NAB 2016 appeared first on ProVideo Coalition.
April 4, 2016, 04:12 PM
http://animationguildblog.blogspot.ca/2016/04/the-...
Sadie Bodin came into the East Coast animation business in 1931, working first for the Fleischer Studios, then at Van Beuren.
April 4, 2016, 12:46 PM
http://www.studiodaily.com/2016/04/nvidia-unveils-...
Following Dell's announcement of its "VR-ready" workstations last week, Nvidia has announced its "VR Ready Program for Professionals," which is designed to certify system-level hardware configurations that are capable of handling VR tasks, including development as well as playback in … more » The post Nvidia Unveils VR-Ready Technology Program appeared first on Studio Daily.
April 4, 2016, 12:46 PM
http://www.artofvfx.com/gods-egypt-eric-durst-over...
After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.
April 4, 2016, 12:46 PM
http://www.fastcocreate.com/3058581/why-virtual-re...
When considering the questions of where we are and where we're going with Virtual Reality, I'm reminded of what philosopher Chuang Tzu wrote in the 4th century BC after waking from sleep: "Am I a man dreaming I am a butterfly, or a butterfly dreaming I am a man? Between me and the butterfly there must be a difference. This is an instance of transformation."
April 4, 2016, 09:23 AM
http://www.btlnews.com/crafts/post-production/mett...
Mettle is bringing its 360 VR tools to NAB, along with a line-up of VR filmmakers to the AR/VR Pavilion. Mettle is a production studio based in Montreal that is known for its 360/VR production workflows using the company's 360/VR tools together with Adobe After Effects CC and Premiere Pro CC. At the show, Mettle will demo SkyBox Studio for Adobe After Effects CC and SkyBox 360/VR Tools for Adobe Premiere Pro CC, as well as the company’s free player, SkyBox VR Player for Adobe Premiere Pro...
April 4, 2016, 09:23 AM
http://manhattaneditworkshop.blogspot.com/2016/04/...
Glenn Garland interviews Lynn Willingham, Skip McDonald and Kelley Dixon, ACE Editors of “Breaking Bad” [American Cinema Editors] An Interview with William Goldenberg, ACE – Editor “Argo” and “Zero Dark Thirty" [American Cinema Editors]"Naked and Afraid" Blur Editor Tells All [The Hollywood Reporter]Wacom broadens digital pen interoperability in partnership with Microsoft [tech2]How to Animate Grades With Keyframes in Resolve [AOTG]Technicolor veterans Gareth Cook and Cli...
April 4, 2016, 09:22 AM
http://lesterbanks.com/2016/04/2-tips-super-smooth...
Mt. Mograph's Matt Jylkka shows two really simple tips that can make your eases in After Effects more controllable. The Post 2 Tips For Super-Smooth Eases in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
April 4, 2016, 06:23 AM
http://www.blogtalkradio.com/moviegeeksunited/2016...
In this episode of Season 3 of the Movie Geeks United! original series The Art of the Score, we replay our conversation with Oscar-winning composer Atticus Ross (The Girl with the Dragon Tattoo, Gone Girl, The Social Network, The Book of Eli). Includes a selection from his score to The Book of Eli. For more information on The Art of the Score series, visit http://moviegeeksunited.net/artofscore.htm.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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