It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 16, 2016, 10:13 AM
http://renderplease.com/post/139429107855
AEs are like:
February 16, 2016, 10:13 AM
http://lesterbanks.com/2016/02/beautifully-present...
WiZiX shows how he gets those great looking shots in Maya, using Otoy's Octane Render. The Post Beautifully Presenting Assets With Octane Render for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
February 16, 2016, 10:12 AM
http://wistia.com/blog/template-for-screencast-vid...
At Wistia, we're used to shooting videos about software. We've tackled issues like glare on screens and editing screencasts, and we've tried our best to make otherwise boring videos more visually engaging.
February 16, 2016, 09:05 AM
http://philpott.ca/rodeo-fx-brings-insight-and-ent...
Rodeo FX worked with Jonathan Rothbart, VFX supervisor, and Tim Miller, director, to create the grotesque look and feel of the Ryan Reynold's "Deadpool".
#rodeo fx#deadpoolFebruary 16, 2016, 06:53 AM
http://www.premierebro.com/blog/deadpool-the-premi...
WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.
#adobe#premiere pro#creative cloud#marvel#deadpoolFebruary 16, 2016, 06:06 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“You are a kite dancing in a hurricane, Mr. Bond.” — Mr. White ...
February 16, 2016, 06:04 AM
http://www.fcp.co/final-cut-pro/news/1776-larry-jo...
Larry has been one of the most respected trainers and tutorial producers since the times when Final Cut could only manage NTSC DV. He's decided it's time to wrap up his tutorial making and webinar publishing.
February 16, 2016, 06:03 AM
http://www.hdvideopro.com/blog/software-red-giant-...
Announced late last week, Red Giant’s Shooter Suite v13.0 is a new release of the series that bundles four video editing plug-ins for NLEs, including the latest iteration of PluralEyes, one of the most well known and well respected editing plug-ins for quick and accurate syncing of audio even without using timecode or audio claps or cues.
February 16, 2016, 06:03 AM
http://www.npr.org/2016/02/15/466832925/you-bite-o...
In the movie Mad Max: Fury Road, a renegade, played by Charlize Theron, races away from a dictator through a hellish desert.
February 16, 2016, 06:03 AM
https://www.fxguide.com/featured/deep-inside-deadp...
Director Tim Miller’s first feature Deadpool hasn’t just raised the bar for subversive, fourth-wall-breaking comic book films, it also pushes the art in terms of visual effects. From completely synthetic environments for the freeway chase, to a fully CG dialogue-delivering metallic character in Colossus, to a unique approach to Deadpool’s facial animation and an unforgettable frozen moment opening title sequence...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.