It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 25, 2012, 11:50 AM
http://www.fcp.co/final-cut-pro/news/710-eye-screa...
Eye Scream Factory have launched 74 DVE effects for Boris Red and that means they will work in our old friend Final Cut Pro 7. As we have said before, the introduction of FCPX didn't kill off the legacy versions of Final Cut Pro overnight.
January 25, 2012, 11:48 AM
http://www.chrisjonesblog.com/2012/01/avid-or-fina...
One question that always comes up at the Guerilla Film Makers Masterclass is which editing tool should I use? There is no straight answer to this, and we get into the detail in the masterclass, but this video above gives a great and indepth view into both Avid and FCPX systems.
January 25, 2012, 11:46 AM
http://notesonvideo.blogspot.com/2012/01/boscpug-q...
Here's a quick report on last night's Boston Creative Pro User Group meeting held at Emerson College's Bright Family Screening Room. Dan Berube began the evening by recounting the history of the Boston Final Cut Pro Users Group, which began about 11 years ago. But he said that since 2008, the focus has moved increasingly away from Final Cut Pro.
January 25, 2012, 11:44 AM
http://www.negativespaces.com/blog/2012/1/24/jamsy...
I had blogged awhile back detailing the challenges of creating a production's deliverables (editorial media, iPad dallies, etc) on the set. One of the most potentially time and labor intensive aspects of this process is syncing sound to the video files to create independent clips with embedded audio.
January 25, 2012, 11:42 AM
http://www.digitalproductionbuzz.com/2012/01/24/pi...
Pixologic is proud to announce that ZBrush 4R2b is a major upgrade to ZBrush, including many exciting new features to push your artwork to greater heights.
January 25, 2012, 11:41 AM
http://www.apple.com/pr/library/2012/01/24Apple-Re...
CUPERTINO, California—January 24, 2012—Apple today announced financial results for its fiscal 2012 first quarter which spanned 14 weeks and ended December 31, 2011. The Company posted record quarterly revenue of USD46.33 billion and record quarterly net profit of USD13.06 billion, or USD13.87 per diluted share.
January 25, 2012, 11:38 AM
http://www.2-pop.com/article/115458
Here's a tutorial from Wide Open Camera's Chris Marino about how to do detailed color-grading using both the free REDCINE-X and Premiere Pro. Says NoFilmSchool.com, If you have Adobe Premiere Pro CS5.5, the changes you make to your shots in REDCINE update in Premiere Pro losslessly. Premiere Pro correctly interprets the metadata and you can then use, say, Colorista for secondary color correction on top of the native .R3D files.
January 25, 2012, 11:36 AM
http://www.digitalproductionbuzz.com/2012/01/24/in...
The Grass Valley ADVC G-Series of affordable, multi-purpose digital video converters are at the leading edge of technology, and the latest additions to the renowned ADVC family. Housed in a practical and compact 1/3 RU form factor, these four converters tackle a variety of different A/V tasks and are particularly well suited to events and staging, corporate AV centers, and broadcast display applications.
January 25, 2012, 11:35 AM
http://www.digitalproductionbuzz.com/2012/01/24/pr...
PreSonus is now shipping new and improved versions of two of its classic tube preamplifiers: the BlueTube DP V2 and TubePre V2. Enjoy solid-state clarity or tube warmth with the BlueTube DP V2 dual-path mic/instrument preamp. The solid-state path feeds PreSonus' Class A XMAX mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP.
January 25, 2012, 11:30 AM
http://www.digitalproductionbuzz.com/2012/01/24/an...
In this Filmmaking Webinar we examine how, at the most basic level, we use video compression to make files smaller to simplify downloads. However, making small files with great looking images can be a real challenge. This webinar builds on the compression fundamentals webinar – Compressor 4 Workflows – and takes you farther and into other compression tools.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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