It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 11, 2016, 06:58 AM
http://www.provideocoalition.com/first-look-red-gi...
PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode. Red Giant released it with a new interface and faster sync workflow for a faster post-production process with less gear, and greater control and confidence in the sync. For videographers and filmmakers with audio and multi-camera recordings, PluralEyes greatly speeds-up the post-production workflow of films, weddings, events, mus...
February 11, 2016, 06:57 AM
http://www.animationmagazine.net/events/fmx-2016-t...
The FMX 2016 conference has come up with its core theme for this year: Blending Realities. In line with this, FMX will be creating space to analyze, discuss and try out other people’s realities in art, technology and business. The 2016 conference, taking place April 26-29 in Stuttgart, Germany, will encourage people from across animation, vfx, games and transmedia to come together and use each other’s experiences to help with outside-the-box thinking.
February 10, 2016, 07:13 PM
http://www.postmagazine.com/Press-Center/Daily-New...
PORTLAND, OR — Red Giant (www.redgiant.com) has released Shooter Suite V.13.0, which features the brand new PluralEyes V.4.0 audio/video syncing tool. Topping the list of new features in PluralEyes 4.0 is the ability to sync with PluralEyes directly in Premiere Pro without having to leave the host app, Smart Start capabilities, automatic drift correction, vertical track scaling, integration with Red Giant Offload, and more simplicity and automation.
February 10, 2016, 07:13 PM
http://www.digitalproductionbuzz.com/2016/02/digit...
On the Digital Production Buzz, Larry Jordan talks with guests David Colantuoni, Philip Hodgetts, and Dan Montgomery. Avid Updates Media Composer Buy New Gear - or Do Nothing? How To Decide A Better Way to Archive Media Projects Randi's Perspective: TBA Tech Talk: TBA WATCH FULL SHOW The post Digital Production Buzz – February 11, 2016 appeared first on Digital Production BuZZ.
February 10, 2016, 07:13 PM
http://www.prosoundeffects.com/blog/pro-sound-effe...
Team PSE is stoked to once again be exhibiting at the NAB Show in Las Vegas! Interested in attending? Register here for free using our Guest Pass Code LV4948 to obtain a complimentary Exhibits Pass ($150 value). Then from April 18-21 you can find us at Booth# SL8330 in the South Lower Hall of the LVCC. We’ll be raffling ... The post Pro Sound Effects Exhibiting at NAB Show 2016 appeared first on Pro Sound Effects Library.
February 10, 2016, 01:36 PM
http://renderplease.com/post/139064792835
February 10, 2016, 01:35 PM
http://postperspective.com/tangent-makes-updates-t...
At IBC this past September, Tangent showed working prototypes of its Ripple panel — a new entry level offering designed for the occasional colorist, editor and student — and came away with a few suggestions that they incorporated into the final product. Ripple features three tracker balls that speed up primary grading. It is lightweight and offers a footprint small enough to sit beside your keyboard and mouse without getting in the way. Here are the recent changes that Tangent made to ...
February 10, 2016, 10:33 AM
http://lesterbanks.com/2016/02/40108/
Watch this easy Method for Deforming Control Geometry on a Character in Maya. The Post Creating & Deforming Control Surfaces for a Character in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
February 10, 2016, 10:32 AM
https://www.youtube.com/watch?v=lMvRm0VPcbo
Now, we’re going to show what to do once your product is finished: rendering time. You’ll learn how to make a master file or render for specific devices, the settings you’ll need to control like, codec, resolution and format. Now without further ado let’s dive into the final cut pro x export window.
February 10, 2016, 05:47 AM
http://www.fcp.co/final-cut-pro/news/1771-final-cu...
Timothy Armes from Arctic Whiteness has been in contact to tell us about the new version of Final Cut Library Manager. Now at version 3, the app is a great way to organise libraries and free up disk space.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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