To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Uncategorized
Time Re-mapping Footage in Adobe Premiere Pro
December 18, 2011, 05:16 PM
http://www.richardharringtonblog.com/files/0e349a0...
In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington talks about how to control time inside Premiere Pro. There are many options to change the speed of clips, including the rate stretch tool, time remapping to achieve a variable speed value, and using After Effects own remapping abilities to fine tune your results.
DaVinci Resolve 8.2 Windows Public Beta
December 18, 2011, 08:39 AM
http://magazine.creativecow.net/article/davinci-re...
Microsoft Windows-based creative shops can now take advantage of DaVinci Resolve 8.2, via a public beta now available for download from Blackmagic Design, and is available both in the full-featured DaVinci Resolve 8.2 and free DaVinci Resolve Lite versions.
Twixtor in Avid MC: Frame Rate Conversions
December 18, 2011, 08:37 AM
http://library.creativecow.net/freitag_lori/Twixto...
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in Avid Media Composer.
What Is The Future Of The Post House?
December 18, 2011, 08:36 AM
http://provideocoalition.com/index.php/editingpost...
Milton Ginsberg - Finding The Moment
December 17, 2011, 03:40 PM
http://manhattaneditworkshop.blogspot.com/2011/12/...
Editor Milton Ginsberg discusses the many challenges he faced while editing Catwalk. For more information on Editfest NY please go to editfestny.com.
Pomfort LiveGrade Beta
December 17, 2011, 03:40 PM
http://www.negativespaces.com/blog/2011/12/16/pomf...
It's a nice interface and I love the 3 Wheel controls and the ability to shape an actual curve. Once it works it will be great! There aren't any menus or advanced functionality so when you a run a video signal through the box connected to LiveGrade and it behaves very strangely, there isn't any place to begin troubleshooting. But - what happens looks so awesomely psychedelic, I could stare at it for hours!
It's a Boy again Linkage: December 2011
December 17, 2011, 03:38 PM
http://www.scottsimmons.tv/blog/2011/12/17/its-a-b...
Here's some holiday gift ideas from both myself and Prolost as well as gifts for DPs. Avid Media Composer 6 is now out in the world. Read about it here and here.
Late nights reconciling random shots...
December 17, 2011, 03:37 PM
http://brucesharpe.blogspot.com/2011/12/late-night...
When Matt Davis came across the PluralEyes plug-in, he recognized it would enable his guerilla style of shooting by allowing "some really smart software to sort it all out." Matt explains, "All the key opinion leaders were onto PluralEyes from the start as the one way that made DSLR shooting with audio "a workable solution". Clapperboards? Log sheets?
Made with After Effects
December 17, 2011, 03:35 PM
http://provideocoalition.com/index.php/cmg_blogs/s...
In what is become an annual tradition, the good folks over at motion.tv run a Made with After Effects competition. We participate in critiquing the entries, including pointing out the strong points as well as sharing our years of experience in suggesting ways to improve the work even further. The resulting discussion - as well as viewing the winners - is something we think is educational for all users looking to raise their game.
PremiumBeat.com announces new partnership
December 17, 2011, 08:38 AM
http://www.premiumbeat.com/blog/premiumbeat-com-an...
PremiumBeat.com has partnered with motionVFX to pack a high quality one-two punch for stock music and Apple Motion templates.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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