It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2016, 10:37 AM
http://www.karenschmeer.com/news/2016/3/8/r5l193ib...
At this year's Sundance Film Festival, documentary editing legend Kate Amend gave an inspiring keynote speech at the Art of Editing Lunch co-hosted by Sundance Institute and the Karen Schmeer Film Editing Fellowship. It was a funny, wise, instructive and heartfelt speech about her life as an artist, the role of an editor and her journey through the ranks of the industry. Read her speech here.
March 8, 2016, 10:37 AM
http://www.premiumbeat.com/blog/what-is-j-cut-and-...
There are several video editing techniques every professional needs to know. Let's take a look at two of them: the J-cut and L-cut.
March 8, 2016, 10:36 AM
http://lesterbanks.com/2016/03/ideform-vertex-colo...
The Brave Rabbit shows how you can use vertex colors to mask a displacement in Maya. The Post Create Vertex Color Based Displacements in Maya Using iDeform originally appeared and published on %%BLOGLINK%,by lesterbanks
March 8, 2016, 10:35 AM
http://business.tutsplus.com/articles/best-new-aft...
2016 is well underway! Now’s a great time to work on your video marketing. Do you need to promote your new business? Showcase your upcoming product launch? Create a video presentation or viral ad? Are you ready to fire up After Effects and get to work?
March 8, 2016, 10:35 AM
http://news.doddleme.com/blogs/post-production/get...
By default, your clips are probably laid out in the smallest thumbnail view, which for me, is not how I like to work. I prefer working in list view, but if you prefer working in thumbnail view, but don’t like the size of the thumbnails, you can change them, and switch to List view, simply by right clicking in the bin window, and selecting either the larger thumbnail, or List view.
March 8, 2016, 06:14 AM
http://www.fcp.co/final-cut-pro/articles/1781-how-...
Swiss national television network Radio Télévision Suisse handles 800 hours of on-air content each year in its Post Production department, with FCP X and a ShareStation Enterprise shared storage system. Ronny Courtens explains why RTS chose FCP X, the shared storage system and how the combination of speed and performance is perfect for their needs. Lots of info, lots of pictures and lots of videos, so get a large coffee and enjoy. Worth an email to anybody who thinks FCP X is not a profess...
March 8, 2016, 06:14 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
In 2015, we published our first feature article in celebration of International Women’s Day entitled 10 Women of Title Design, and this year we’re back with 10 more!We recognize that many creative industries are dominated by men, and we are striving to both acknowledge this inequity and to work towards more balanced representation. How boring would film, television, games, and conferences be without various points of view driving them, without diverse experiences informing the process? W...
March 8, 2016, 06:13 AM
http://tracking.feedpress.it/link/9766/2782062
We are pleased to announce a brand new template pack for Titler Pro. You asked for fresh, clean designs that were useful for a variety of projects, so we got to work. From documentaries to reality shows and everything in between, the new template pack offers a collection of sharp and imaginative templates professionally designed with the flexibility and customization options you have come to expect.
March 8, 2016, 06:13 AM
https://library.creativecow.net/biscardi_walter/bo...
I still remember meeting a guy named Boris at the 1995 Apple MacWorld in Boston. Jeans and a white T-Shirt, he was in the booth all by himself with his brand new product. Boris FX that ran on the awesome Media 100 platform. He was hilarious and I bought the plug-in on the spot for my corporate job. Now here we are 21 years later and while much of the post production industry has changed, Boris FX is still making lives easier for editors and motion graphic artists.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.