It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 14, 2011, 03:41 PM
http://www.bfs-filmeditor.de/aktuell/meldungen/mel...
(Germany) after a long time we want to welcome you to our next meeting on Tuesday, 25 October 2011 by 20 clock in the restaurant Kabir, Carmerstr. 17 (near Savigny Platz). topics: Every year: the Cologne Film + forum for film editing and art installation of 25 to 28 November 2011 (see: www.filmplus.de).
October 14, 2011, 03:38 PM
http://avidassteditor.com/2011/10/14/the-aedventur...
October 14, 2011
October 14, 2011, 11:42 AM
http://www.bafta.org/whats-on/bafta-masterclass-ed...
Following on from the successful last series of masterclasses, BAFTA and the ICA are back with a monthly series, where leading creatives are invited to share their experiences and secrets behind their craft. Every month will be inviting an expert in their field to talk about their work in a small, intimate environment, illustrated with a number of clips. Our accomplished guests are all currently working in either film, TV or video game making (or all three!) and the classes will focus on...
October 14, 2011, 11:41 AM
http://www.videomaker.com/article/15239/
By the time of this writing, the whole world knows that Apple has revamped Final Cut Pro into an X version, and it's not like anything you've used. Is it iMovie Pro? Only superficially. It goes so far beyond that. Apple did get one thing right at its National Association of Broadcasters sneak peak; FCPX is a whole new paradigm in editing.
October 14, 2011, 11:34 AM
http://feedproxy.google.com/~r/FinalCutWhiz/~3/i0g...
Final Cut Pro X has a great feature I wish legacy Final Cut had, the ability to globally find and replace title text in your Timeline. Say you're editing a video with a talking head who’s name is Conner. You feature him several times and include his name in lower thirds, graphics, credits, and more...
October 14, 2011, 08:50 AM
http://blogs.adobe.com/kevinmonahan/2011/10/13/adj...
In Creative Cow's Premiere Pro forum, FCP switcher Walter Biscardi wanted to know how to raise the audio level for one or more selected clips as he used to in Final Cut Pro in the Gain Adjust dialog (Option+CMD+L is the well-known shortcut). Walter finds this option useful when raising or lowering voice overs by the same amount, for example.
October 14, 2011, 08:46 AM
http://www.fcp.co/final-cut-pro/news/603-a-more-ro...
We know that Final Cut Pro X is great for converting and editing quicktime files from DSLR cameras such as the Canon 5D. What if you want a more robust method for ingesting, cataloging and backups?
October 14, 2011, 08:45 AM
http://www.larryjordan.biz/tips/tip311.html
A great deal of the look of the Timeline is controlled from an itty-bitty right-pointing arrow at the bottom of the Timeline. It is certainly not obvious, so look closely just to the right of the four-column track height bar chart.
October 14, 2011, 08:42 AM
http://terencegallacher.wordpress.com/2011/10/14/o...
On arrival at the Australian Broadcasting Commission, Ripponlea, as Acting Senior Film Editor, I found that the editors at ABV2. were not required to participate in the planning of any filming that they would have to edit. They complained to me that they were having to rescue too much material. One producer had belonged to...
October 14, 2011, 08:42 AM
http://provideocoalition.com/index.php/ssimmons/st...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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