To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FCP basics: How to edit a news story in FCP7

October 10, 2011, 03:30 PM

http://www.fcp.co/final-cut-pro/tutorials/597-fcp-...

We are always fascinated watching people do tasks that we have done hundreds of times over. Making the news is one of those. In this hour long tutorial, Mark Poepsel shows us how he edits a news story.

Get up to speed on DaVinci Resolve

October 10, 2011, 03:28 PM

http://www.fcp.co/hardware-and-software/pro/596-ge...

Now that the interoperability between Final Cut Pro X and Blackmagic's DaVinci Resolve has been announced, we are sure many editors are going to be looking at this combination to grade their projects. Patrick Inhofer takes us on a 2 hour Resolve catch up course.

Larry Jordan presents Video Compression

October 10, 2011, 03:26 PM

http://industryhappenings.wordpress.com/2011/10/10...

Video compression is part art and part science, but it doesn't have to be partly a mystery. In this webinar, you'll learn about the new version of Compressor and how to use it to make your web videos small and impressive. If you're a long-time user of Compressor, watch this to learn the new features.

Boost a Scene with 2K Stock Effects in AE

October 10, 2011, 03:25 PM

http://www.studiodaily.com/main/news/13488.html

Honeyhouse Films, a new online stock footage source that went live last Friday, has just released a set of affordable royalty-free 2K weather, space and ocean stock footage and alpha-channel visual effects aimed at film-resolution projects.

WEEK FOUR AT THE EDIT CENTER

October 10, 2011, 09:28 AM

http://www.filmmakermagazine.com/news/2011/10/week...

Monday brings more scene analysis! We watch three scenes: one from Fearless, one from Punch Drunk Love, and one from Mulholland Drive; all of them are specifically chosen not just for picture, but also for sound. The scene from Punch Drunk Love is one I remember especially well. Adam Sandler's character discovers a lone harmonium in the street. It sits in near silence.

Remove Scroll Bars for Better Playback

October 10, 2011, 09:26 AM

http://www.larryjordan.biz/tips/tip307.html

Final Cut allows you to zoom into the picture of both the Canvas and Viewer. While this is very helpful for effects work, it is not a good idea for playback. Even with today's fast machines, Final Cut has problems playing clips smoothly especially HD clips when you have scroll bars displayed in either the Canvas or the Viewer.

Orchetrating a Wipe

October 10, 2011, 09:24 AM

http://magazine.creativecow.net/article/orchestrat...

Five years ago, Clark Creative Group was approached by world-renowned artist Jun Kaneko about the sets for Puccini's Madama Butterfly, a production Jun had been commissioned to design by Opera Omaha. A painter and sculptor, Jun had worked with CCG in the past to design promotional print materials for some of his other artistic endeavors. He was vaguely aware of our agency's postproduction capabilities, and he had a small problem that he hoped we'd be able to solve.

Creating a Flash Transition with Fractal Noise

October 9, 2011, 02:04 PM

http://www.claygasbury.com/2011/10/creating-film-f...

This morning I was prepping for the Advanced AE class I am teaching in Orlando tomorrow. Part of the class is looking at commonly used effects, and I was setting up some film light leak transition projects. (get them here)

Cutting Room Eps. 73 Geof Bartz Part 3

October 9, 2011, 02:00 PM

https://www.aotg.com/cutting-room-eps-73-geof-bartz-part-3/

In this interview Gordon and Geof discuss the cutting of Pumping Iron. As well as some of the ethical issues when cutting documentaries. As well, Gordon and Lauren discuss the first LIVE podcast event.

© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.