To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Final Cut Pro X Effects

October 3, 2011, 03:29 PM

http://www.noiseindustries.com/blog/announcements/...

The following is a list of FxFactory based products that will work in Final Cut Pro X at this time. All products are fully supported in Motion 5 and continue to be available in Final Cut Pro 6, 7 – Motion 3, 4 – After Effects 8, 9, 10 and Final Cut Express 4.

Blackmagic Receives Creative COW Blue Ribbon

October 3, 2011, 03:28 PM

http://blog.digitalcontentproducer.com/briefingroo...

Blackmagic Design is the proud recipient of Creative COW's Blue Ribbon Award for Best of Show at the NAB Show 2011. Every year, Creative COW's editors feel the pulse of the industry by monitoring the feedback from over 1.7 million monthly visitors in the months following NAB. Creative COW then announces the products and technologies that working professionals have identified as most likely to have the biggest impact on their future.

Matt Davis: switching from Final Cut Pro to Adobe

October 3, 2011, 03:27 PM

http://www.macvideo.tv/editing/features/?articleid...

After editing for a decade using Final Cut Pro, what's it like to switch to Adobe Premiere Pro? Matt Davis talks about making the transition from FCP7 to Premiere Pro 5.5. He explains the advantages, the pitfalls, and the the surprises.

Square Box publish their FCP7 to FCPX

October 3, 2011, 03:26 PM

http://www.fcp.co/final-cut-pro/news/588-square-bo...

We have heard more and more about CatDV being able to transfer Final Cut Pro 7 sequences to FCPX, but we haven't seen it in action. Square Box Systems have just published an article to show you how it's done.

Noise Industries Announces Updated Final Cut Pro X

October 3, 2011, 03:25 PM

http://www.studiodaily.com/main/news/13480.html

Noise Industries announced today that it has updated nearly a dozen of its most popular FxFactory-based plug-ins to be compatible with Apple's Final Cut Pro X, including its cornerstone FxFactory Pro suite of some 175 effects and software from FxFactory partners PHYX, SUGARfx, idustrial revolution, Dashwood Cinema and DVShade.

Thanks for Visiting ToolsOnAir at IBC 2011

October 3, 2011, 03:25 PM

http://news.creativecow.net/story/867229

(October 3, 2011) As we catch our breath and rest our tired feet, we look back at one of the most successful IBC Shows in ToolsOnAir's history. With a well-established reputation for our just: Broadcast Suite's ability to deliver an economical TV Station in a Mac package, this year ToolsOnAir took it a step further, signaling a sea change in Broadcast Video technology with our even more compact and cost effective TV Station in a Mac Mini.

FCP7 or FCPX for Your Next Project?

October 3, 2011, 10:15 AM

http://feedproxy.google.com/~r/FinalCutWhiz/~3/iwX...

Now that Apple has made Final Cut Pro X more usable, I am interested if any legacy Final Cut editors are thinking of using FCPX for their next project. Please answer the poll below. For more information on Final Cut Pro X, be sure to subscribe to the RSS feed for email updates, become a...

MURCH TO HEADLINE SECOND ANNUAL BOSTON SUPERMEET

October 3, 2011, 10:14 AM

http://blog.digitalcontentproducer.com/briefingroo...

The FCPUG Network have announced the Second Annual FCPUG Boston SuperMeet, to take place at the Stuart Street Playhouse at the Radisson Hotel Boston in Boston, MA. Featuring special guest, Oscar and BAFTA winning film and sound editor, Walter Murch, the Boston SuperMeet will further celebrate the Tenth Anniversary of SuperMeets and promises to be the single largest gathering of Final Cut, Adobe, Avid and Autodesk editors, gurus and digital filmmakers in the Northeast this year...

Using the Range Selection Tool

October 3, 2011, 10:13 AM

http://www.larryjordan.biz/tips/tip300.html

Here's a fast way to select only a portion of a clip without adding an edit point. Wouldn't it be great to apply a filter to only a portion of a clip without having to cut the clip into a million pieces first? Well, you can using the Range Selection tool (keyboard shortcut: GGG).

King Vidor: The Editor's Director

October 3, 2011, 10:10 AM

http://sensesofcinema.com/2011/feature-articles/ki...

No editor won an Academy Award for cutting a King Vidor film, yet bravura editing distinguishes all of his best films, from The Crowd (1928) to Our Daily Bread (1934), from Hallelujah! (1929) to Duel in the Sun (1946).

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