It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 30, 2015, 01:57 PM
https://blogs.creativecow.net/blog/13934/frame-get...
Automatically draping numbers onto thousands of video frames upon ingesting into the Avid Bin. Offline video proxies automatically replaced with online video quality masters using the relink command. For 23.976 fps source video file, when creating master clips in a bin the Avid project format is one of the mechanisms that defines what frame numbers get assigned.
December 30, 2015, 01:57 PM
http://www.digitaltrends.com/computing/can-the-ipa...
“I think if you’re looking at a PC, why would you buy a PC anymore? No really, why would you buy one?” Tim Cook asks of a reporter from The Telegraph while admiring the new iPad Pro. It’s a sentiment that Phil Schiller echos in the product announcement, “the iPad Pro can do things a notebook cannot.”
December 30, 2015, 10:43 AM
http://www.btlnews.com/awards/contender-editor-han...
“I’m so lucky that Adam was the director,” stated editor Hank Corbin about Adam McKay, who helmed The Big Short, the satiric-telling of the true events behind the financial collapse in the mid-2000s. The movie boasts a stellar acting ensemble – Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt. The post Contender – Editor Hank Corwin, The Big Short appeared first on Below the Line.
December 30, 2015, 10:43 AM
http://www.provideocoalition.com/filmic-pro-reache...
For those unfamiliar, FiLMiC Pro is a renowned under US$10 app for iOS (iPhone, iPad and iPod Touch) and now certain Android models that allows setting the desired framerate (instantly turning the device into a worldcam), locking focus & exposure, recording bitrate, proper 48 kHz and more. During 2015, the FiLMiC Pro team completely redesigned the app for iOS 9. Details and video samples ahead.
December 30, 2015, 10:43 AM
http://www.videoguys.com/blog/guides/reviews/sony-...
Sony has thoughtfully designed their Catalyst Production Suite to be an accessible collaborative production tool, especially effective with Sony cameras but flexible with multiple camera formats. Find out more about the Catalyst Edit tool in this review. Sony Catalyst Edit Review by Videomaker blog Sony Catalyst Edit is a collaborative platform that could become the Read More The post Sony Catalyst Edit Review by Videomaker appeared first on Videoguys Blog.
December 30, 2015, 10:43 AM
http://lesterbanks.com/2015/12/cg-generalist-cours...
The Render Blog will release volume 2 for their CG Generalist course for January 6, 2016. The Post CG Generalist Course, Volume 2 Coming Soon from The RenderBlog originally appeared and published on %%BLOGLINK%,by lesterbanks
December 30, 2015, 05:33 AM
http://www.redsharknews.com/technology/item/3127-h...
We explore the topic of current 4K viewing from the consumer angle and how it relates to professional solutions. 4K Television4K Distributionmonitoringconsumer 4KUHDBlackmagicYouTubeNetflixAmazon
December 30, 2015, 05:32 AM
https://blogs.creativecow.net/blog/13934/23976-fps...
Tracking video timecode including frame numbering with the Media Composer for each source file. A reconforming workflow path that is seamless from offline proxies to online video masters can mean to understand that the Avid is basically assigning on-the-fly video timecode metadata after it first knows the start timecode metadata, the fps, and the project format type.
December 29, 2015, 07:21 PM
http://www.digitalproductionbuzz.com/2015/12/digit...
On the Digital Production Buzz, Larry Jordan talks with guests Philip Hodgetts, Ned Soltz, Michael Kammes, Larry O'Connor, and Jonathan Handel. Trends to Watch in 2016: Technology Trends to Watch in 2016: Cameras Trends to Watch in 2016: Workflow Trends to Watch in 2016: Storage Trends to Watch in 2016: Labor Randi's Perspective: TBA WATCH FULL SHOW The post Digital Production Buzz – December 31, 2015 appeared first on Digital Production BuZZ.
December 29, 2015, 07:20 PM
This episode is an unofficial sequel to Ep 52 on US work visas, but this is more tailored to worldwide rather than just in the US. As well as giving a hands on insight as well as Allan’s experiences with the visa process and what to expect.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.