To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Octane Render in Side Effects Houdini, Getting Sta

February 10, 2016, 10:34 AM

http://lesterbanks.com/2016/02/getting-started-wit...

Ben Watts shows how quick you can get up and running using Octane Render for Houdini. The Post Octane Render in Side Effects Houdini, Getting Started originally appeared and published on %%BLOGLINK%,by lesterbanks

Hey, sorry if this is a weird question, but do you

February 10, 2016, 10:33 AM

http://renderplease.com/post/139055795385

Unfortunately, I am not at all familiar with that realm of post. *sends out Bat signal* Anyone care...

ZERO VFX Delivers Knockout Visual Effects for Sout

February 10, 2016, 10:33 AM

https://www.productionhub.com/blog/post/zero-vfx-d...

Antoine Fuqua’s Southpaw tells the story of Jake Gyllenhaal's Billy 'The Great' Hope and his struggles not only inside the boxing ring, but also facing his inner demons to win custody back of his daughter. The film exudes both grit and glamour -from the lavish lifestyle of a pro fighter, to the hardships he faces in his personal life - and Fuqua wanted to convey absolute reality. Aside from the typical underdog fighter turns boxing champ story, Fuqua wanted to present boxing in its raw ...

How Final Cut Pro X helped five teams of filmmaker

February 10, 2016, 10:33 AM

http://www.fcp.co/final-cut-pro/articles/1772-how-...

Take five teams of filmmakers, give them iPhones to shoot on, Final Cut Pro X running on shared storage to edit with and 36 hours to complete a three minute film. Sam Mestman tells us about We Make Movies' latest community film project. 

Movies Nominated in All Technical Categories

February 10, 2016, 10:32 AM

http://www.hollywoodreporter.com/news/movies-nomin...

'Mad Max: Fury Road' and 'The Revenant' are only the fourth and fifth films ever to be simultaneously acknowledged in the seven areas — all of which have been swept by only one movie.

The MIDIGrade Controller for DaVinci Resolve on a

February 10, 2016, 10:32 AM

https://www.cinema5d.com/midigrade-controller-davi...

The innovative new MIDIGrade Controller is the latest answer to the need for an affordable hands-on grading controller. It is a solution created by 25-year-old award-winning filmmaker Julius Koivistoinen from Helsinki, Finland. Currently, it is only available for Resolve on OSX.

Screen Scene VFX Showreel 2016

February 10, 2016, 10:32 AM

http://www.cgmeetup.net/home/screen-scene-vfx-show...

Screen Scene an Ireland’s leading Post Production Company. Based in the heart of Dublin, working with some of the best in the business and winning more than our fair share of awards along the way. Big on brains and high on heart, they offer a one stop, Picture, Sound and VFX service for TV, Film and Commercials.

Finding the Rewards in Your Work

February 10, 2016, 10:32 AM

http://linecheck.soundgirls.org/2016/02/10/finding...

I often forget that my job is pretty unique. It’s just what I do, just like everyone else sometimes it is hard to get up and go to work. I find it especially hard right now in the dead of winter and in my quiet season. But then every once in a while I am reminded my job is pretty awesome.

4 Reasons To Add Reverb To A Track

February 10, 2016, 10:32 AM

http://bobbyowsinski.blogspot.ca/2016/02/4-reasons...

Like many other aspects to mixing, the use of reverb is frequently either overlooked or misunderstood. Reverb is sometimes added to a track to create width and depth, but also to dress up an otherwise boring sound. The real secret is how much to use and how to adjust its various parameters.

Super Bowl 50: Arcade Edit cuts Bud Light, T-Mobil

February 10, 2016, 05:47 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Arcade Edit, with offices in New York and LA, cut 12 spots that aired on Super Bowl Sunday. The studio cut commercials for Hyundai, Buick, T-Mobile and Bud Light, among others.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.