To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Once Upon a Time in the West (1968)

February 9, 2016, 06:34 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“How can you trust a man that wears both a belt and suspenders? Man can't even trust his own pants.” — Frank Acting as a farewell of sorts to the famous Dollars Trilogy and as one of the most memorable character entrances in film history, the opening of Sergio Leone’s Spaghetti West...

Quick Chat: Ian Stynes on mixing two Sundance film

February 9, 2016, 06:34 AM

http://postperspective.com/ian-stynes-on-mixing-tw...

By Kristine Pregot It’s always nice working with someone you have collaborated with before. There is a comfort level and unspoken language that is hard to achieve any other way. A few years back, I had the pleasure of working with talented sound mixer Ian Stynes on a TV sketch comedy. This year we collaborated once again for the So Yong Kim film Lovesong (our main image), which made its premiere at this year’s Sundance and had its grade at Nice Shoes via colorist Sal Malfitano. Ian ha...

Game of Thrones - Hardhome Sequence Vfx Breakdown

February 9, 2016, 06:34 AM

http://www.cgmeetup.net/home/game-of-thrones-hardh...

Victor Vinyals – I had the opportunity to work for El Ranchito rigging a collection of undead army’s White Walkers as well as some Wildlings for the battle sequence at the free folk village. They were mainly body rigs with just a basic set of controlers for the faces.

Podcast Interview Matt Conway Matte Painter

February 8, 2016, 05:11 PM

http://www.allanmckay.com/59/

Matt Conway is a Digital Matte Painter having worked on movie projects such as Avatar, Avengers Age of Ultron, Shutter Island, Game of Thrones and dozens of others.

Rodeo FX Awarded VES Award For Game Of Thrones

February 8, 2016, 05:10 PM

http://hdslrshooter.com/rodeo-fx-awarded-visual-ef...

A visual effects house with a long lineage of film and television work, Rodeo FX has earned a second Visual Effects Society award for their work on the Game of Thrones episode City of Volantis.

What’s NEXT? Adobe Premiere Pro CC.

February 8, 2016, 01:31 PM

http://blogs.adobe.com/creativecloud/whats-next-ad...

When 2016 Sundance Film Festival goers sit down in a theater to watch a film in the NEXT category, they’re bound to be talking about it later. These films combine ingenuity and vision to tell stories in new, unexpected ways. It’s no surprise that many filmmakers on the cutting edge of American cinema chose a post-production workflow featuring Adobe Premiere Pro CC, an editing platform that lets filmmakers edit nearly any type of footage in its native format. Here, we share insights into ...

WAR & PEACE: VFX Breakdown by BlueBolt

February 8, 2016, 01:31 PM

http://www.artofvfx.com/war-peace-vfx-breakdown-by...

BlueBolt delivers invisible VFX work for the 6 episodes of WAR & PEACE...

Genius Audio Plugin Removes Echo & Reverb From Aud

February 8, 2016, 01:31 PM

http://news.doddleme.com/blogs/post-production/gen...

Sound has always been a huge issue when filming on location. Even if you have experts using great equipment, invariably you may still end up shooting something in a location with a lot of echo or reverb.

Using MochaBlend-C4D to Convert a Mocha Track to a

February 8, 2016, 10:20 AM

http://lesterbanks.com/2016/02/using-mochablend-c4...

How to create an object solve in Cinema 4D from a Mocha perspective track. The Post Using MochaBlend-C4D to Convert a Mocha Track to a C4D Object Solve originally appeared and published on %%BLOGLINK%,by lesterbanks

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