To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Erika Burton Joins Digital Domain

December 8, 2015, 05:25 PM

http://www.awn.com/news/erika-burton-joins-digital...

Newly appointed Executive Vice President & General Manager to work on long-term company goals and new initiatives with a primary focus on production, sales and marketing.

Oscars: 20 films advance in VFX race

December 8, 2015, 10:15 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES – The Academy of Motion Picture Arts and Sciences announced that 20 films are in the running in the Visual Effects category for the 88th Academy Awards.

Hands on With NewBlueFX Kinetic Motion Pack

December 8, 2015, 10:14 AM

http://www.videoguys.com/blog/video-editing/hands-...

We love the NewBlueFX Titler Pro 4. After you read this review of the NewBlueFX  Kinetic Motion Pack we think you’ll love it even more. It adds a bunch of animations, templats and customizable pre-sets that will allow you to creat even cooler title sequences. AOTG by Joao Pacifer Along with the release of Titler Read More The post Hands on With NewBlueFX Kinetic Motion Pack appeared first on Videoguys Blog.

Contender – Editor Peter Beaudreau, Beasts Of No

December 8, 2015, 06:00 AM

http://www.btlnews.com/awards/contender-editor-pet...

Editor Peter Beaudreau first met director Cary Joji Fukunaga at the Sundance director’s lab when they were participants as editor and director respectively. Unfortunately, when Beasts of No Nation went into production, Beaudreau was on a different film, so editor Mikkel E.G. Nielsen worked on the film until January 2015. In December 2014, Beaudreau came on as an extra set of hands for what he thought would be a couple of weeks, but which ended up being five months ¬ through the sound mix ...

When video editors need to deliver a CALM-complain

December 7, 2015, 06:26 PM

http://postperspective.com/video-editors-need-deli...

Outpost Worldwide is a Kansas City-based production and post company that creates content for a variety of TV series, network game shows, reality shows, commercials and corporate videos. Their television work includes shows like Strange: Exorcist, Garden Earth and Project Runway Latin America. Documentaries they have worked on include The Barber’s Diaries, No Shortcuts and Let Freedom Ring. Films include Fight Night, Dogs of Eden and Last Ounce of Courage. With the passage of the CALM....

‘Room’ Editor Nathan Nugent Interview

December 7, 2015, 06:25 PM

http://deadline.com/2015/12/nathan-nugent-editor-r...

Irish-born editor Nathan Nugent always is up for a challenge. He’s collaborated with director Lenny Abrahamson on his last three features, including the heavily dramatic What Richard Did, the tonally complex Michael Fassbender-vehicle Frank, and now Room, which presented the most logistically challenging edit to date. In the film, Brie Larson portrays a young woman who was kidnapped and held captive in a garden shed by a predator for seven years.

FilmLight’s colour science insight welcomed by E

December 7, 2015, 06:25 PM

https://news.creativecow.net/story/880318

(London, UK--December 7, 2015) Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading and mixing theatre in Europe. The theatre features high-performance colour grading from Baselight, Auro 3D and Dolby Atmos audio mixing and monitoring, plus a Barco 4K 60fps projector.

Archive Media Using PreRoll Post

December 7, 2015, 01:35 PM

http://www.youtube.com/watch?v=TPPVaSATGkA

We all know we need to archive our projects for the long-term. But…how? What’s the best option for smaller workgroups on limited budgets that still need to preserve their critical media and project files? In our "Protect Your Stuff – Archive" webinar, Larry Jordan shows both the hardware and software needed for long-term archiving.

Archive Media Using BRU PE

December 7, 2015, 01:35 PM

http://www.youtube.com/watch?v=PNQ87566FBI

We all know we need to archive our projects for the long-term. But…how? What’s the best option for smaller workgroups on limited budgets that still need to preserve their critical media and project files? In our "Protect Your Stuff – Archive" webinar, Larry Jordan shows both the hardware and software needed for long-term archiving.

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