Pond5 Takes Stock Media Marketplace to New Level

March 16, 2011, 09:07 AM

http://www.digitalproductionbuzz.com/2011/03/15/po...

Pond5, the world’s premier marketplace for stock media, announced the addition of over 5 million stock photos and vector illustrations to its collection, which also includes the Web’s largest selection of royalty-free stock video footage, as well as a full range of sound effects, production music tracks, and After Effects motion graphics templates. With the addition of still images, Pond5 has emerged as the most comprehensive Web-based stock media resource for creative content producers of.....

System requirements for Premiere Pro CS5

March 15, 2011, 02:48 PM

http://forums.adobe.com/message/3532925

Unfortunately, this overview is severely lacking in realism and a lot of people were disappointed when their system met these minimum requirements, but still would not do what they expected, or at least not without jerkiness, hiccups and similar issues.

Robust New Features Now Available in Sorenson 360

March 15, 2011, 02:47 PM

http://blog.sorensonmedia.com/2011/03/robust-new-f...

Today we announced a series of robust new features within the Sorenson 360 online video platform, which provide users with increased flexibility and customizability to improve delivery of dynamic video content across the Web.

Sorenson Media Unveils Robust New Features

March 15, 2011, 02:46 PM

http://www.studiodaily.com/main/news/13004.html

SAN DIEGO (March 15, 2011)—Sorenson Media today announced a series of robust new features within the Sorenson 360 online video platform (OVP), which provide customers with increased flexibility and customizability to improve delivery of dynamic video content across the Web.

Recovering Skies

March 15, 2011, 02:46 PM

http://library.creativecow.net/harrington_richard/...

In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington deals with a common problem with outdoor footage -- blown out skies. This episode shows what techniques are at your disposal to help you put more life into your footage.

Noise Industries Heads To Sin City

March 15, 2011, 02:44 PM

http://blog.digitalcontentproducer.com/briefingroo...

Calibre UK at NAB 2011

March 15, 2011, 10:42 AM

http://blog.digitalcontentproducer.com/briefingroo...

Yorkshire’s Calibre UK returns to NAB this year with a complete line of high-quality image-processing products. A particular highlight is the company’s VideoExcel range of broadcast format converters, which boast 3G-SDI support, powerful noise reduction and image enhancement, and uncompromised performance thanks to their built-in Realta processors.

5 50% off Plastic Bullet iPhone App

March 15, 2011, 10:41 AM

http://www.redgiantsoftware.com/blog/2011/03/15/5-...

A camera app with infinite possibilities. Plastic Bullet puts the fun, spontaneity, and unpredictability of plastic-fantastic toy cameras on your favorite Apple device. Sweeten the mood with light leaks, vignettes, blur effects and gorgeous colors. Just tap to turn your photos into gloriously unpredictable works of art, then tap again to change the look. If you love it, tap the heart button to save...

Manhattan Edit Workshop Jets to Vegas for NAB 2011

March 15, 2011, 10:15 AM

http://blog.digitalcontentproducer.com/briefingroo...

New York, New York – March 15, 2011 – Manhattan Edit Workshop (Mewshop), the cutting-edge authorized digital training destination for post-production and content creators, has announced that it will exhibit at the National Association of Broadcasters (NAB) convention, held in Las Vegas, NV from April 11-14, 2011. Stationed at the B&H Photo, Video & Pro Audio booth (C11022), Mewshop will be promoting its unique and versatile digital training curriculum and destination-based methodology.

Technology Talk: how big a deal is 4:2:2?

March 15, 2011, 09:09 AM

http://www.macvideo.tv/editing/interviews/?article...

4:2:2 used to be outside the reach of many independents who were locked into the world of 4:2:0 or 4:1:1 production. Now that Apple's 10-bit, full raster ProRes codec is widely used in the post production industry, the codec has also found it's way into devices enabling native ProRes recording on acquisition. The advantageous are clear: 10-bit, full raster, very high quality recording; with a smooth, efficient, post-production process. The questions remain - do you need 4:2:2?