It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 11, 2016, 12:26 PM
http://www.technicolor.com/en/who-we-are/press-new...
Los Angeles, CA – April 11, 2016 – Technicolor (Euronext Paris: TCH; OTCQX: TCLRY), a worldwide technology leader in the media and entertainment sector, and VUBIQUITY, the global premium content service provider connecting content owners and video providers to deliver entertainment to viewers on any screen, are working together to accelerate the availability of High Dynamic Range (HDR) content to consumers around the world. VUBIQUITY will incorporate Technicolor technologies to offer the ind...
April 11, 2016, 09:29 AM
http://lesterbanks.com/2016/04/animating-slices-ci...
Stephen Turcotte of MirrorMaze Media, walks through an easy method for animating slices in Cinema 4D. The Post An Easy Method For Animating Slices in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
April 11, 2016, 09:29 AM
http://www.tejbabra.com/2016/04/11/red-giant-shoot...
Red Giant is well known for various software tools for filmmakers. Not too long ago, I had an opportunity to review Red Giant Shooter Suite 12.5. Red Giant has recently updated the suite to version 13. This includes a big update to PluralEyes. If you have not had the chance, or simply wish to get […] The post Red Giant Shooter Suite 13 Review appeared first on Tej Babra.
April 11, 2016, 09:28 AM
http://cceditors.ca/nominations-for-the-6th-annual...
Congratulations to the following editors who are nominated for a Canadian Cinema Editors Award. Best Editing in Animation Tom Berger – Paw Patrol: Pups Save A Big Bone Robert Ciasnocha & Simon Box – Fresh Beat Band of Spies: Singing Pirate Stephanie Duncan, Joycelyn Poon & Lee Maund – Trucktown: Trucktown Run Sam Thomson – The Curse of Clara: A Holiday Tale Pete Watson – Napkin Man: New Shoes Best Editing in Documentary- Short Form Tiffany Beaudin – Claude Lanzmann: Spectres...
April 11, 2016, 09:28 AM
http://www.videoguys.com/blog/red-giant-software-s...
Red Giant Software Sale for 25% off starts is this Tuesday, April 12th, 2016 and is available at Videoguys.com. We’ve stocked up on electronic serial codes to be able to provide you with instant downloads on all of Red Giant’s popular software including Trapcode Suite, Shooter Suite and more. Starting tomorrow at 11am ET (8am Read More The post Red Giant Software Sale – 25% Off for 1-day Only at Videoguys.com appeared first on Videoguys Blog.
April 11, 2016, 09:28 AM
http://www.provideocoalition.com/frameio_premiere_...
The Adobe Premiere Pro panels just keep getting better. Frame.io has created their own Frame.io panel that can load pretty much all of the functionality of Frame.io right into Premiere. It’s a very slick implementation that feels very natural in integrates well, both aesthetically and workflow wise. It feels like it was a part of The post Hands On With the New Frame.io Panel for Adobe Premiere Pro appeared first on ProVideo Coalition.
April 11, 2016, 06:02 AM
https://labs.chaosgroup.com/index.php/digital-huma...
Stephen Parker, a software technical director at Chaos Group, talks about his history and how he got into computers, visual effects, digital humans, and more. We also talk about GTC 2016 and how AI and deep learning became the big focus at Nvidia.
April 11, 2016, 06:01 AM
http://www.audiomediainternational.com/new-gear/rm...
RME had an eventful Musikmesse/Prolight + Sound this year, unveiling four new products and celebrating its 20th anniversary.
April 11, 2016, 06:01 AM
http://www.audiomediainternational.com/interview/i...
Being faced with audio recorded on a boat in a storm with no proper sound crew is not everyone’s idea of good fun – that’s unless you’re Bob Bronow. Adam Savage chats to the re-recording mixer, who has rightfully received recognition for his work on extreme reality TV shows and other projects in recent times.
April 11, 2016, 06:01 AM
http://www.cgmeetup.net/home/look-whos-back-vfx-br...
Selected breakdowns of the extensive effects work we did on the movie “Look who’s back” / “Er ist wieder da”. Our tasks included set supervision, compositing, set extensions and the animation / integration of a digital dog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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