To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Visual Style of Wes Anderson in his first 8 fe

November 15, 2015, 06:56 AM

http://vashivisuals.com/the-visual-style-of-wes-an...

The Visual Style of Wes Anderson in his first 8 feature films.

Blackmagic Design Releases DaVinci Resolve 12.1

November 13, 2015, 01:28 PM

http://news.doddleme.com/equipment/blackmagic-desi...

It is no secret that I like Blackmagic Design’s DaVinci Resolve. So when a point-one update comes out that includes new features, I like to go through and see what’s new under the hood, so to speak. So what’s new? There is plenty here to like. Some of the changes are platform specific. Some are nice tweeks. And a few are fairly big. There is something in 12.1 for everybody. Here’s a list of the new features.

Blackmagic Design Releases DaVinci Resolve 12.1

November 13, 2015, 01:26 PM

http://www.studiodaily.com/2015/11/blackmagic-desi...

Blackmagic Design released the first update to DaVinci Resolve 12 this week, adding remote rendering, providing a 10-bit option and native display profiles for OS X El Capitan viewers, and bringing new features to the editing and color-correction toolsets. Blackmagic also announced that … more » The post Blackmagic Design Releases DaVinci Resolve 12.1 appeared first on Studio Daily.

DaVinci Resolve 12.1: Remote Rendering, Native Dis

November 12, 2015, 06:00 PM

http://hdslrshooter.com/davinci-resolve-12-1-remot...

With the release of DaVinci Resolve 12, we saw a former color suite turn full blown NLE. This is further expanded in update 12.1, giving editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative timecode offsets and much more.

Using Compound Clips in DaVinci Resolve

November 12, 2015, 12:42 PM

http://www.premiumbeat.com/blog/using-compound-cli...

Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here's how to use them.

LA colorist Chris Hall joins Trailblazer in Raleig

November 12, 2015, 10:10 AM

http://www.postmagazine.com/Press-Center/Daily-New...

RALEIGH, NC — LA colorist Chris Hall is bringing his color grading and online editorial skills to his new home at Trailblazer Studios (www.TrailblazerStudios.com), here. Previously a finishing colorist at Bandito Brothers in Culver City and at Prehistoric Digital in Santa Monica, Hall worked on feature films that include Act of Valor and  Rich Hill. He has also colored a plethora of TV shows, commercials and music videos for the likes of Jaguar, Kellogg's, Mattel, Lexus, Hallmark an...

Blackmagic Design Announces DaVinci Resolve 12.1 U

November 12, 2015, 10:10 AM

http://bosfcpug.org/blackmagic-design-announces-da...

Blackmagic Design today announced the immediate availability of DaVinci Resolve 12.1, adding dozens of new features such as remote rendering, 10-bit viewers, new editing & color correction tools & more.

The Colorist Society. Why Not?

November 9, 2015, 07:15 PM

http://postperspective.com/colorist-society-not/

Colorists deserve their own collective By Jim Wicks Will there come a day when colorists will become a band of brothers (and sisters)? Or are we destined to remain as solo participants on the world cinema stage? In the motion pictures and television industries many artists are collectively known by the company they keep. The DPs — American Society of Cinematographers (ASC); the Editors — American Cinema Editors (ACE) and Motion Pictures Editors Guild (MPEG); Digital Artists – Visu...

What is a LUT? What Do LUTs Do?

November 8, 2015, 07:29 AM

http://cinescopophilia.com/what-is-a-lut-what-do-l...

Casey quickly runs through what LUTs are and what programmes to use to access them to grade your footage.

News: True colours of The Americans created on Bas

November 5, 2015, 07:52 PM

https://news.creativecow.net/story/880073

(London, UK--November 5, 2015) When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some distinctive looks. He used one of Technicolor PostWorks New York’s Baselight systems to grade series two and three of the New York-shot, 1980s-set show, working closely with director of photography Richard Rutkowski.

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