It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 23, 2016, 09:28 AM
http://photo.it-enquirer.com/2016/03/scopebox-hist...
ScopeBox displays video scopes, regardless of whether your clip is processed with EditReady — before you transcode them — or Final Cut Pro X, Premiere Pro and other apps. It does so via ScopeLink, a clever system that allows ScopeBox to integrate with a slew of supported applications, including SpeedGrade, various versions of After Effects, Prelude and Pomfort Silverstack. In addition, ScopeBox provides scopes for live sources such as BlackMagic Design and Aja input equipment, and for movie ...
March 23, 2016, 09:28 AM
http://www.3dtotal.com/interview/770-into-the-stor...
In order to recreate the maelstrom that split the oil tanker S.S. Pendleton in two, leading to a dramatic U.S. Coast Guard rescue operation in 1952, filmmaker Craig Gillespie (Lars and the Real Girl) relied on MPC for ninety-percent of the visual effects work in The Finest Hours with additional environmental support provided by Mr. X.
March 23, 2016, 05:07 AM
http://qz.com/644889/apple-is-boring-now/
At a lightning-fast press event yesterday (March 21), Apple announced a spate of product updates. A year ago, it unveiled the new MacBook laptop and told us when the Apple Watch—its first entirely new product in five years—would be available. At yesterday’s event, Apple’s big reveal was a smaller iPhone and iPad.
March 23, 2016, 05:07 AM
https://www.linktv.org/shows/bodies-in-motion/visu...
Boris Seewald is a German director and editor based in Berlin, and in this short film he features music composer Ralf Hildenbeutel. In "Conduct" Seewald has captured the strength and grace of the dancers, Simone Schmidt, Deborah Hann, and Althea Corlett.
March 23, 2016, 04:51 AM
http://www.audiomediainternational.com/new-gear/be...
Behringer has begun shipping its new U-PHORIA UMC1820 and UMC404HD USB audio interfaces.
March 23, 2016, 04:51 AM
http://www.skwigly.co.uk/animation-uk-needs-you/?u...
On the 10th March, Animation UK’s Oli Hyatt gave a speech at the Children’s Media Conference Animation Exchange event in Westminster. For those who haven’t come across Animation UK before, it’s mission is to “campaign for fairer trading conditions for UK animation producers, and to help protect or increase the production and ownership of IP that is of such value to the UK.”
March 23, 2016, 04:51 AM
http://cinefex.com/blog/cinefex-146-cover-reveal/
In an alternate universe, a lone survivor from the dying planet Krypton goes head to head with a chiropteran crimefighter, before teaming up with a squad of shape-shifting (and extremely shiny) Ancient Egyptian gods to fend off a devastating alien attack and recover a kidnapped movie star, while all the time a potty-mouthed superhero looks on from afar, making sarcastic comments.
March 23, 2016, 04:50 AM
http://cgi.tutsplus.com/tutorials/creating-motion-...
Creating Motion Graphic Elements in Blender Without Shapekeys or Addons: Part 2
March 22, 2016, 06:48 PM
http://moviola.com/inside-hollywood/invisible-art-...
A conversation with this year’s Oscar-nominated editors. Discover how they went from dailies to Oscar-nominated films! Nominees are: Margaret Sixel (MAD MAX: FURY ROAD) Tom McArdle (SPOTLIGHT) Maryann Brandon and Mary Jo Markey (STAR WARS: THE FORCE AWAKENS) Hank Corwin (THE BIG SHORT) Stephen Mirrione (THE REVENANT). The post Invisible Art Visible Artists 2016 appeared first on Moviola.
March 22, 2016, 06:48 PM
http://www.provideocoalition.com/review-senal-eng-...
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect to broadcast cameras or most professional audio recorders for informal, handheld interviews, for reasons covered in prior articles. Last year, I reviewed the RØDE Reporter against the very popular Electro-Voice RE50N/DB, and the RØDE Reporter The post Review: Senal ENG-18RL dynamic interview microphone appeared first on ProVideo Coali...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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