To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sitcom and Feature Film Editor Paul Machliss, ACE,

March 22, 2016, 09:21 AM

http://www.avidblogs.com/timeline-tuesday-paul-mac...

The article Sitcom and Feature Film Editor Paul Machliss, ACE, Gets Tension and Timing Right in the Cutting Room by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Deluxe Names Stefan Sonnenfeld Chief Creative Offi

March 22, 2016, 09:21 AM

http://www.studiodaily.com/2016/03/deluxe-names-st...

Stefan Sonnenfeld, the renowned colorist and Company 3 co-founder who originally got into post-production with a summer job delivering dailies for TV's Miami Vice, has been named chief creative officer of Deluxe Entertainment Services Group. Sonnenfed will keep his seat … more » The post Deluxe Names Stefan Sonnenfeld Chief Creative Officer appeared first on Studio Daily.

Fix it in pre: A VFX artist’s guide to motion co

March 22, 2016, 09:21 AM

http://blogs.adobe.com/creativecloud/fix-it-in-pre...

Patrik Forsberg will be presenting the session “A VFX Guide to Slamming the Boundaries Between Live Action and Game Engine Tech” in the Adobe booth at NAB 2016 on Tuesday, April 19, 2016 at 5:30 PM and Wednesday, April 20, 2016 at 4:00 PM. Though he started his professional career touring Europe as a musician, today Patrik Forsberg is the Creative Director at Stiller Studios, a Swedish creative agency that focuses on intricate motion control work. The path he took to get where he is tod...

FXFactory and Dashwood Cinema collaborate to creat

March 22, 2016, 09:21 AM

http://www.videoguys.com/blog/fxfactory-dashwood-c...

360VR Toolbox created by these developers is still in beta, but is scheduled for official release in April just before NAB. These sound like promising tools for 360-degree content creators. Be sure to check them out at NAB in the Virtual Reality Pavilion. FXFactory Joins Dashwood Cinema For 360-Virtual Reality Plugins By James DeRuvo (doddleNEWS) Read More The post FXFactory and Dashwood Cinema collaborate to create plugins for 360-degree video editing appeared first on Videoguys Blog.

BBC TV production change could mean more workflow

March 22, 2016, 09:21 AM

http://alex4d.com/notes/item/bbc-tv-production-cha...

Proponents of Final Cut Pro X and Adobe Premiere are frustrated when editors of high-end TV and features say "I don't know anyone who doesn't use Avid." We value case studies showing what alternative applications can do. In the UK, the BBC is not allowed to publicise its workflows - used on TV shows that are world-famous - because being cubically-funded it is not allowed to promote one commercial supplier over others. All we can do is gather indirect information, such as tweets by those...

SGO GOES VIRTUAL AT NAB

March 22, 2016, 09:20 AM

http://www.sgo.es/2016/03/sgo-goes-virtual-at-nab/

Mistika Unveils Ground-breaking Developments in Las Vegas SGO BOOTH #SL9027 / 18 – 21 April 2016 / Las Vegas Convention Centre SGO will be carving its own path this NAB, bringing its award-winning finishing system Mistika to the limelight and unveiling a multitude of incredible future-proof developments that have been in the pipeline for the past few years. Mistika will ... Read More

Stop-Motion Animated Movie Based On Bubbles

March 22, 2016, 09:20 AM

http://www.rotoscopers.com/2016/03/22/stop-motion-...

If you are either a fan of Michael Jackson or of a certain age when he was at his prime, you might already know that for a period of time, the superstar artist was famously accompanied by a certain Chimpanzee companion, a public display of Michael’s eccentric (and controversial) behavior. Were you ever curious as to what the story behind that infamously odd relationship was? If a studio responsible for a recent R-rated stop-motion film has its way, than you might be able to get the story.

ENTREVISTA: El Montaje de “El ministerio del tie

March 22, 2016, 05:50 AM

http://www.finalcutpro.es/2016/03/entrevista-monta...

Mucho talento junto. Esta parece ser la fórmula para conseguir algo muy poco frecuente en nuestro país, poner de acuerdo a casi todo el mundo. “El Ministerio del tiempo” se ha convertido en un fenómeno que va más allá de una serie de televisión de éxito. Los hermanos Pablo y Javier Olivares apostaron por un producto tan atípico como arriesgado [...] La entrada ENTREVISTA: El Montaje de “El ministerio del tiempo”. aparece primero en finalcutpro.es.

Pixar readies RenderMan 21

March 22, 2016, 05:49 AM

http://www.redsharknews.com/post/item/3330-pixar-r...

Pixar’s RenderMan team continues to build on the foundations of its revitalised industry standard renderer, with version 21 now in beta. PixarRendermanrenderman 21CGI

Deadpool (2016)

March 22, 2016, 05:49 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

““A fourth wall break inside a fourth wall break? That's like, sixteen walls.”” — Deadpool ...

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