To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Pixar Post Podcast - Exclusive First Look at

October 30, 2014, 12:32 PM

http://www.pixarpost.com/2014/10/episode033.html

In episode 033 of the Pixar Post Podcast we discuss a ton of great Pixar news, including our exclusive first look at To Protect and Serve, the continuation of the Pixar Pipeline Project with Jason Johnston of the Effect team and so much more. Below are our show notes from the episode with time codes for your reference:

Production Audio (with Kevin Parker)

October 28, 2014, 04:40 AM

http://gocreativeshow.com/gcs044/

Today we speak with Kevin Parker, production sound mixer for feature films, television, documentaries and more. Kevin and I discuss his techniques for capturing sound on set and in the field, proper mic placement, how to hide the lav, and some tips that will help you capture better sound. Plus Dan Chung from NewsShooter.com joins us to discuss the latest industry news.

FCG093 – Resolution Independence (feat. Stuart M

October 27, 2014, 04:39 AM

http://digitalcinemacafe.com/2014/10/26/fcg093-res...

Resolution Independence is maybe one of the least talked about features of FCPX 10.1, however, if you do work in off-resoltions, its AMAZING!. In this episode of The Grill we talk with Stuart Moore about some of the ultra hi-res 360 degree video projects that he’s cut in FCPX and compare his workflow today with what it was just one year ago.

FCG091 – From Audio to Picture (feat. Micha Schm

October 20, 2014, 04:37 AM

http://digitalcinemacafe.com/2014/10/19/fcg091-fro...

The TiVo Effect revisited, audio for post, audio workflow and plug ins. I always like to talk to people who specialize in their field but not necessarily mine. On this, our second audio centric episode, (Check FCG066 for the other), we talk with Micha Scmidt. Micha came to video post thru an audio background and has many unique insights on what FCPX needs to bolster up their needs.

AES Wrap Up On The Latest Inner Circle Podcast

October 18, 2014, 08:05 AM

http://bobbyowsinski.blogspot.ca/2014/10/aes-wrap-...

If you want more detail on the last week's AES Exhibition, check out the latest episode of my Inner Circle podcast. There's a more in-depth conversation about the most interesting gear that I saw during my travels around the show.

FCG090 – Color Grading and FCPX (feat. Zeb Chadf

October 17, 2014, 04:42 AM

http://digitalcinemacafe.com/2014/10/16/fcg090-col...

From VHS cuts only edits to FCPX, Zeb Chadfield has done it all over the years. As a broadcast colorist and the last eyes on a piece before it goest to air, Zeb has a unique view of what Final Cut Pro X does, and does well. This discussion spends a fair amount of time on coloring and Davinci Resolve workflow.

FCG088 – 48 Hours in Utah (feat. Danny Rubio)

October 10, 2014, 03:37 AM

http://digitalcinemacafe.com/2014/10/09/fcg088-48-...

Danny Rubio is Executive Producer at Weber State University in Utah and manages multiple edit systems and editors and they work almost exclusively in FCPX. Recently a group of more than 20 students entered a 48 hour film festival where they entered a Musical submission. Danny has never cut on anything but FCPX. Hear his story from a fresh outlook without the baggage of the past.

Digital Production Buzz – October 9, 2014

October 9, 2014, 04:28 AM

http://www.digitalproductionbuzz.com/2014/10/digit...

On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Brian Drewes, Sean Deveraux, Dan Berube and Tim Buttner: Creating Visual Effects for "The Equalizer" Does anyone need user groups anymore? Using Blackmagic Cinema Cameras for music videos

GOING POSTal News Download: 10/08/2014

October 8, 2014, 12:27 PM

http://www.goingpostalshow.com/news-10082014.html

Full Coverage of MPEG Union Rally at Universal / Adobe MAX Updates / Disk formatting now on Blackmagic Cameras / Stereoscopic 360 Degree Video Camera being developed / Could Spiderman be joining the Avengers on the big screen?

Pro Tools Podcast 136

October 7, 2014, 05:12 AM

http://www.pro-tools-expert.com/home-page/2014/10/...

Russ, Mike, Neil and James are back to bring you another show with talking points, tips, tricks and questions answered.

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