It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 25, 2012, 11:15 AM
http://aframe.com/blog/2012/10/16/streamlining-the...
We've been working recently with Blink Films, and Clear Cut Pictures (also one of Aframe's Upload Partners), to dramatically streamline their post production workflow for the new TV show 'Classic Car Rescue' (debuting tonight, Oct 16, at 8pm ET/10pm PT on Discovery World); using Aframe's cloud video production platform to expedite a cross-Atlantic production.
October 25, 2012, 11:15 AM
http://feedproxy.google.com/~r/SigniantNews/~3/zjg...
Founded in June 2012, stationEX addresses the high-end, long form delivery market where massive client project files, often exceeding 100 GB, can bring conventional file transfer technologies to their knees. As a result, broadcasters are forced to ship storage 'bricks' or disks containing files to colleagues - imposing two- to three-day delays for shipments that go internationally, while racking up project costs. Continue reading →
October 25, 2012, 09:13 AM
http://feedproxy.google.com/~r/deysonortiz/feed/~3...
I thought this was a very cool idea. I am on my way to get the mighty mouse to test this bad boy out. But I have heard enough good reviews to believe in it What is BetterTouchTool?
October 25, 2012, 09:13 AM
http://smpteconnect.blogspot.com/2012/10/a-little-...
As the last blog explains, if you've looked at clouds from both sides now, you would have enjoyed the whole half day of presentations about them. There are evangelists for clouds and sceptics.
October 25, 2012, 09:13 AM
http://www.postmagazine.com/Post-Blog/2012/October...
HOLLYWOOD - IBM spoke on the use of LTO-6 magnetic tape for digital archiving at the 2013 SMPTE Technical Conference, here. LTO-6 with a raw capacity of about 3.1 TB is double that of LTO-5 tape. Data rates for LTO-6 increased by over 40% from the LTO-5 tape format.
October 25, 2012, 09:12 AM
http://www.angietaylor.co.uk/review-of-after-effec...
I found After Effects to be intimidating in spite of my strong Adobe Flash background but the Adobe After Effects CS6 Learn by Video training course from video2brain gave me a good solid base upon which to build. The authors Todd Kopriva and Angie Taylor share the instruction with Kopriva covering the technical aspects of the software and Taylor covering the creative.
October 25, 2012, 09:12 AM
http://fcp.co/final-cut-pro/news/954-10-0-6-brings...
This week's Final Cut Pro X upgrade to 10.0.6 brought some excellent new features and some much requested old features back. But under the hood there have been more changes, one of them turbo boosting rendering on the timeline by a massive 3200%!
October 25, 2012, 09:11 AM
http://fcp.co/final-cut-pro/news/953-distortion-sh...
A new plugin form MotionVFX that adds custom distortion effects to video and graphics. Shakes, prisms, blurs, distorts, flickers, grain and pixelation all for just USD49.
October 25, 2012, 08:17 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe concludes his look at the Avid Title Tool by going over text gradients and transparencies, as well as creating simple title Rolls and Crawls. Once you've finished this tutorial, you will have seen over 40 minutes of in-depth training on the Avid Title Tool.
October 25, 2012, 08:16 AM
http://events.creativecow.net/event/2582/the-art-o...
This five-day, hands-on workshop explores techniques of documentary editing - from the creative decisions that make a good story great, to established workflow methods for picture and sound that every editor should know.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.