To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How Colorists Work with Graphics Departments

March 3, 2016, 12:25 PM

http://nofilmschool.com/2016/03/how-colorists-work...

Colorists work with special effects artists nearly as much as clients. Understanding the workflow of an effects house is just as important as running a client-filled room and performing the actual grading.

Atlanta GA – AVID Workflow Lunch and Learn Atlan

March 3, 2016, 06:28 AM

http://feedproxy.google.com/~r/industryhappenings/...

Don’t miss Avid’s workflow lunch and learn with Avid at restaurant Violette in Atlanta on Wednesday March 16th. Stop by for a great lunch and the chance to see a live demo by Avid’s own Robert Russo. Avid Principal Product Designer Robert Russo will discuss creative collaboration with Avid ISIS l 1000. Learn how creative teams using Media Composer, Final Cut and Premiere can enhance and maximize their production with Avid shared storage solutions. ISIS supports UHD/4K workflows and sim...

Talking 360° Video with Tim Dashwood

March 3, 2016, 06:28 AM

http://www.dashwood3d.com/blog/talking-360-video-w...

Russ Fairley recently asked Tim Dashwood some very interesting questions about 360VR post. The article can be read in two parts at http://desktopvideo.about.com/od/desktopeditinghardware/fl/Talking-360deg-Video-With-Tim-Dashwood-Part-1.htm (part 1) and http://desktopvideo.about.com/od/desktopeditinghardware/fl/Talking-360deg-Video-With-Tim-Dashwood-Part-2.htm (part 2) We’ve also reprinted both parts of the interview here for easier … Continue reading →

Speed it Up with Caching : Discovering Titler Pro

March 3, 2016, 06:28 AM

http://tracking.feedpress.it/link/9766/2740754

Quick Edit and Caching Options Discover one of Titler's most innovative features in part 3 of the 4-part tutorial series on Titler Pro 4 from our VP of Products Travis White. In this quick lesson, Travis explores the power of QuickEdit and render caching options useful for making sharp lower third templates. Learn how to make editable lower third templates to reuse in your future projects.

Jim Clark Dead: ‘Killing Fields’ Editor Won Os

March 3, 2016, 06:28 AM

http://variety.com/2016/film/news/jim-clark-dead-d...

Jim Clark, who won an Oscar for editing Roland Joffé’s “The Killing Fields” and was also nominated for his work on the director’s film “The Mission,” died in the U.K. on Feb. 25. He was 84 and had been ill for some time.

Journey to capture the sound of the US Pacific Nor

March 3, 2016, 06:28 AM

http://www.asoundeffect.com/pacific-northwest-soun...

Experienced sound designer and recordist Andy Martin is making big plans: He wants to capture the sounds of the Pacific Northwest in the US in a way it’s never been done before, and he’s planning on spending a year doing it. To make the project a reality, he’s just launched a Kickstarter campaign, and below he explains the idea and approach for this big project – and how you can help make it happen...

Online Video Review Services Compared

March 3, 2016, 04:58 AM

http://jonnyelwyn.co.uk/film-and-video-editing/com...

With so many online creative video review tools available to filmmakers, it can be tough to figure out which service will serve you best. Check out this comparison to see what each one has to offer.

#online video review tools compared#screenlight vs frame io vs kollaborate vs look at vs wipster#client feedback tools
Digital Production Buzz – March 3, 2016

March 2, 2016, 05:50 PM

http://www.digitalproductionbuzz.com/2016/03/digit...

On the Digital Production Buzz, Larry Jordan talks with guests Rollo Wenlock, Melissa Davies-Barnett, and George Olver. Wipster: Online Media Review and Approval Arc 9: Online Collaboration and Workflow Tools Movidiam: Worldwide Rolodex and Project Manager Tech Talk: Cirina Catania: Thoughts from Berlinale 2016 WATCH FULL SHOW The post Digital Production Buzz – March 3, 2016 appeared first on Digital Production BuZZ.

Deadpool comes alive thanks to Adobe Premiere Pro

March 2, 2016, 05:50 PM

http://www.redsharknews.com/post/item/3285-deadpoo...

Director Tim Miller brings a popular anti-hero to the big screen with help from Adobe Creative Cloud. DeadpoolAdobeAdobe CCCreative CloudPremiere Pro CCAfter EffectsTim Miller

Sound work recognized by the CAS and MPSE

March 2, 2016, 05:50 PM

http://postperspective.com/sound-work-recognized-b...

By Mel Lambert While George Miller’s Mad Max: Fury Road swept the Academy Awards for both sound editing and sound mixing — congratulations, respectively, to co-supervising sound editors Mark Mangini and David White, production mixer Ben Osmo plus re-recording mixers Chris Jenkins and Gregg Rudloff — members of the Cinema Audio Society/CAS and Motion Picture Sound Editors/MPSE favored a broader cross section of film and TV productions during their recent awards ceremonies held here ...

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