It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 1, 2016, 11:53 AM
http://renderplease.com/post/140279244815
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Lee Smith, ACE, most recently cut the Bond flick, "Spectre" but has also cut “Master and Commander,” “Batman Begins,” “The Dark Knight,” and “Interstellar” and many others. He also has two Oscar nomination for Best Editing.
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With the move to larger then HD projects, there have been some changes in Media Composer that editors need to get accustomed to, one of which is that we've lost the use of both the Title Tool AND the Marquee Tool. Not to worry, though, as NewBlueFX's Titler Pro is included in your subscription or perpetual license. Let's see how it works!
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Guest Contribution by Todd Baker Land’s End has been de […]
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ILM (Industrial Light & Magic), has brought Academy Award-winning visual effects supervisor Eric Barba to its Vancouver-based studio as creative director. In addition to supervising effects work, Barba will also provide creative oversight across all of the studio’s projects. He will work closely with ILM Vancouver’s executive in charge, Continue reading → March 1, 2016 The post ILM welcomes Oscar-winning VFX supervisor Eric Barba appeared first on postPerspective - Randi Altman's po...
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