It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 29, 2016, 11:26 AM
http://www.youtube.com/watch?v=iKsqHheaG-w
Sight, Sound & Story 2015: Pax Wassermann on "Cartel Land" on June 13th, 2015. Pax Wassermann is a film editor and producer with twenty years in features, television and documentaries. In addition to "Cartel Land," his documentary work includes "Devil’s Playground," the Sally Mann documentary "What Remains," the recent films "Elaine Stritch: Shoot Me," "The Notorious Mr. Bout," "Knuckleball!," "Pussy Riot: A Punk Prayer," and "Which Way Home," which was nominated for a...
February 29, 2016, 11:26 AM
http://postperspective.com/behind-the-title-editor...
NAME: Bob Mori WHAT’S YOUR JOB TITLE? I’m a film editor working in commercials, feature films and experiential media projects. My experience is with brands such as Nike, BMW, Time-Warner, Ford, Jeep, Coca-Cola, Scion, Altoids, LG, Sega, Dyson,Warner Bros., USPS, Continue reading → February 29, 2016 The post Behind the Title: Editor Bob Mori appeared first on postPerspective - Randi Altman's postPerspective.
February 29, 2016, 11:26 AM
http://blogs.adobe.com/creativecloud/deadpool-come...
Ever since Ryan Reynolds burst onto the screen as Marvel Comics’s anti-hero Deadpool in X-Men Origins: Wolverine, fans have been clamoring to see their favorite “Merc with a Mouth” shine in a solo feature. The wait is over, as Deadpool has now hit the big screen in an adaptation filled with high-octane action sequences and a dark sense of humor. The film’s Director Tim Miller is well-known for creating stylish animations and visual effects. From cinematic trailers for the Star Wars ...
February 29, 2016, 11:26 AM
http://www.bfi.org.uk/news-opinion/news-bfi/featur...
Leonardo DiCaprio has finally won the Oscar for best actor for his performance in survival drama The Revenant, after missing out on four previous occasions. Alejandro G. Inarritu’s film also took this year’s awards for best director and best cinematography. In a surprise victory, however, it was beaten to best picture by Spotlight, Thomas McCarthy’s film about Boston newspapermen uncovering a child abuse scandal within the Catholic church. The film also won for its original screenplay.
February 29, 2016, 11:25 AM
http://www.artofvfx.com/star-wars-the-force-awaken...
In 2013, Roger Guyett had explained to us about the work of Industrial Light & Magic on STAR TREK INTO DARKNESS. Now he talks about his work on STAR WARS THE FORCE AWAKENS which marks his fourth collaboration with director J.J. Abrams.
February 29, 2016, 11:25 AM
https://www.cinema5d.com/new-video-speed-class-for...
Recently announced by the SD Association, the new Video Speed Class adds to the current range made up of the Speed Class and UHS Speed Class, with capture rates of up to 90MB/s. As was the case with the previous two classes, there is certain overlapping between them, all of which are better illustrated in the table below.
February 29, 2016, 11:24 AM
https://library.creativecow.net/ubsdell_simon/blac...
In his latest tutorial for Blackmagic Design Fusion, Simon Ubsdell points out that you can of course simply use Fusion's built-in keyer, and quickly get a good result, but here he shows how combining visual effects nodes to build your own keyer helps you understand the processes to refine trouble keys. Even if you'd prefer not to build your own, you will gain practical insights into channel operations and other techniques to help you unlock Fusion's unique visual effects power.
February 29, 2016, 07:23 AM
http://jonnyelwyn.co.uk/film-and-video-editing/fre...
Download over 60 free LUTs, perfect for editors, colorists and DITs looking to polish up their work, or get to a good result quickly. Also they're free!
#post production#dit#free download#colorists#freebies#free luts#editing tools#film lookFebruary 29, 2016, 06:50 AM
http://www.finalcutpro.es/2016/02/prueba-davinci-r...
La corrección de color en rodaje se ha popularizado mucho en los últimos tiempos. Los sistemas han ido haciéndose más portátiles y accesibles, hasta llegar a niveles inimaginables hace sólo unos años. En este artículo vamos a ver el funcionamiento del dispositivo de entrada y salida Blackmagic UltraStudio Express junto con el software DaVinci Resolve con su opción [...] La entrada PRUEBA: DaVinci Resolve Live con Blackmagic UltraStudio aparece primero en finalcutpro.es.
February 29, 2016, 06:49 AM
http://www.fcp.co/final-cut-pro/articles/1779-cutt...
One of Thomas Grove Carter's recent jobs was cutting the season 6 Game of Thrones trail. He very kindly put together a few tips he used when editing in FCPX and also described why he didn't choose to use Avid.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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