To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

BCPC hosting documentary editing panel as fundrais

February 25, 2016, 01:33 PM

http://postperspective.com/bcpc-hosting-documentar...

The Blue Collar Post Collective (BCPC), a grassroots organization that supports emerging post talent, is presenting “Editor Conversations v1: Cutting and Recutting the Documentary Scene,” a four-person panel discussion featuring experienced documentary editors such as Mona Davis (Frontline), Dena Mermelstein (Strickland), Mariah Rehmet (Stretch and Bobbito) and Zac Stuart-Pontier (The Jinx). Continue reading → February 25, 2016 The post BCPC hosting documentary editing panel as fundr...

CPUG Network Announces Fifteenth Annual Las Vegas

February 25, 2016, 01:33 PM

http://boscpug.org/cpug-network-announces-fifteent...

This SuperMeet will celebrate the fifteenth anniversary of holding SuperMeets in Las Vegas on Tuesday, April 19, 2016 in the Pavilion Ballroom at the Rio Hotel in Las Vegas, Nevada.

EP Stefanie Bassett joins edit house Uppercut

February 25, 2016, 01:33 PM

http://postperspective.com/ep-stefanie-bassett-joi...

New York City-based edit house Uppercut has brought on Stefanie Bassett as executive producer. Basset, who has over 10 years of experience in post, has collaborated with such agencies as McCann, Mother, McGarryBowen, 360i and Hill Holliday. In her new role as EP at Uppercut, Continue reading → February 23, 2016 The post EP Stefanie Bassett joins edit house Uppercut appeared first on postPerspective - Randi Altman's postPerspective.

Sicario composer the next big thing in film music

February 25, 2016, 01:32 PM

http://www.wired.com/2016/02/sicario-composer-is-t...

2015 WAS A great year for unconventional film soundtracks. Disasterpiece’s 80’s horror-influenced score for It Follows, Ben Salisbury and Geoff Barrow’s sparse compositions for Ex Machina, and Junkie XL’s adrenaline-soaked noisewall for Mad Max: Fury Road offer beautiful, progressive examples of what constitutes a soundtrack.

Cinderella VFX Breakdown

February 25, 2016, 10:36 AM

http://www.slashfilm.com/cinderella-visual-effects...

The visual effects company MPC has just unveiled a Cinderella visual effects reel, showing off the incredible, detailed landscapes that make up the kingdom at the center of the story as well as the digital animals and their transformation. It’s even more impressive then you think.

Gutter Editing and the Uninflected Shot

February 25, 2016, 10:35 AM

http://www.premiumbeat.com/blog/gutter-editing-and...

How to use the juxtaposition of uninflected shots and the gutter between them to make a compelling edit that will keep your viewers actively engaged in the storytelling process.

Cinesite completes 200+ VFX for 'Pride & Prejudic

February 25, 2016, 10:34 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Cinesite completed over 200 visual effects for Pride & Prejudice & Zombies, the zombie mash-up directed by Burr Steers and based on the celebrated Jane Austin classic.  Work on the visual effects was shared across Cinesite’s London and Montréal studios.

Customize Default Effects in Final Cut Pro X

February 25, 2016, 10:34 AM

http://www.premiumbeat.com/blog/customize-default-...

Apple’s recent Final Cut Pro X update includes a new feature that allows users to assign default audio and video effects to their clips using a simple keyboard shortcut. Let's take a look at how it works.

How Virtual Reality Augments Experience

February 25, 2016, 10:34 AM

http://www.videoguys.com/blog/how-virtual-reality-...

Gary Adcock shares his unique understanding of the growing virtual reality trend and brings the possibilities of this genre to life in the article below. Stepping into the 360 ‘Virtual Reality’ experience ReelChicago blog by Gary Adcock There is nothing virtual about the 360 degree experience that was in explosive abundance at CES 2016. In Read More The post How Virtual Reality Augments Experience appeared first on Videoguys Blog.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.