It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 21, 2012, 03:27 PM
http://www.videomaker.com/article/15373
There's much more to visual communication than simply slapping a series of shots together. With video, you need to think about the way you connect your shots.
#effects#transitionsNovember 21, 2012, 03:07 PM
http://avidassteditor.com/2012/11/21/where-is-the-...
Just like you, I would love to know the answer to that question! This has been a year filled with new releases (Thanks Avid!), complimentary reviews and unbearable delays regarding the ebook. I’ve learned the hard way that the...
#avid#nle#ebookNovember 21, 2012, 03:06 PM
http://www.videoguys.com/Blog/E/Serious+Multicam++...
Some months ago, I was looking for a project that would let me explore FCP-X's multi-cam capabilities. Then I heard about "The Nash" - Phoenix's new Jazz education and performance venue. I figured a project with them might be a great opportunity to learn something useful about the subject, so after securing permission from the venue, I pulled together...
#fcpx#final cut pro#appleNovember 21, 2012, 03:06 PM
http://www.onlinevideo.net/2012/11/apple-final-cut...
On October 24, 2012, Apple released the 10.0.6 update to Final Cut Pro X. It's a free update, so there's no reason not to download it; in this review I'll show you what to expect when you do. For a complete list of new features and fixes, click over to Apple's Release Notes. As you'll see, with 18 new features and 12 fixes, this release boasts the most new features of any update. While none are as sweeping as the multi-camera editing added in 10.0.3, several...
#fcpx#final cut pro#appleNovember 21, 2012, 12:44 PM
http://kyleesportfolio.com/blog/?p=753
I wrote a guest post for Screenlight about my first freelance gig. Go read it on their blog.
#freelance#first gigNovember 21, 2012, 12:44 PM
http://aframe.com/blog/2012/11/21/demand-service-w...
One of our customers recently sent a note of thanks that raised a really interesting point about making new technology work in business. He was complimenting us on the service he received whilst using Aframe for the first time (sorry, this isn't supposed to be so self congratulatory) and articulated a point few technology providers seem to consider when they roll out their 'killer apps'.
#aframe#demand service#jdNovember 21, 2012, 12:43 PM
http://www.aotg.com/cuttingroom/2012/11/21/jeff-wo...
Comedy editing is one of the more difficult styles of editing. If the actors delivery is off, the timing is off and as an editor, you need to "Try" to fix it for pacing and timing in the overall film. Not everyone is meant to...
#editor#film editor#comedy#jeff wolfNovember 21, 2012, 12:43 PM
http://www.premiumbeat.com/blog/smoke-connectfx-gl...
Use Smoke's glow and gradient nodes to give your footage unique looks. In this post, we break down these ConnectFX nodes and show you how to use them like a pro.
#smoke#nle#connectfx#glow and gradient#nodesNovember 21, 2012, 12:42 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MONTREAL -- Matrox Video Products Group has released a unified driver on the PC that provides support for the latest software releases for the Avid Media Composer family of products and Adobe CS6 Production Premium on the Matrox MXO2 and Matrox MXO2 Max families of I/O devices, and the Matrox Mojito Max I/O card.
#avid#adobe#cs6#mc6#matrox#premiere pro#nle#driverNovember 21, 2012, 12:39 PM
http://www.trackmattemoment.com/?p=9
In this episode of the Track Matte Moment, Joel Yeaton talks to us about the hard lesson of jumping headfirst into a new NLE and his learning experiences with DSLR, timecode, XML, and Adobe Premiere Pro. Joel is a video editor in the New England area, working on a variety of promotional videos...
#timecode#nle#film editor#joel yeaton#trackmatte
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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