It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 18, 2016, 10:28 AM
http://www.provideocoalition.com/easy-split-screen...
February 18, 2016, 10:28 AM
http://lesterbanks.com/2016/02/modeling-a-sonic-sc...
Modeler Alex Cheparev shows how to model Doctor Who's utilitarian possession. The Post Modeling a Sonic Screwdriver in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
February 18, 2016, 10:28 AM
http://boscpug.org/izotope-delivers-everything-nee...
iZotope, Inc., makers of award-winning tools for audio production, is announcing two new developments that support the creative community's pursuit of better-sounding audio.
February 18, 2016, 10:27 AM
https://www.izotope.com/en/company/press-room/pres...
iZotope, Inc., Cambridge, MA (February 18, 2016) - iZotope, Inc., makers of award-winning tools for audio production, is announcing two new developments that support the creative community’s pursuit of better-sounding audio.
February 18, 2016, 05:50 AM
http://www.digitalproductionbuzz.com/2016/02/digit...
On the Digital Production Buzz, Larry Jordan talks with guests Ned Soltz, Cirina Catania, and Aharon Rabinowitz. Ned Soltz: Pick the Right Camera Films Making an Impact at the Berlinale New Effects and Software from Red Giant Randi's Perspective: TBA Tech Talk: TBA WATCH FULL SHOW The post Digital Production Buzz – February 18, 2016 appeared first on Digital Production BuZZ.
February 18, 2016, 05:49 AM
http://www.provideocoalition.com/review-red-giant-...
Those of us who have been around the film and video post-production biz for awhile will remember a day before all of the major NLEs had waveform audio syncing built-in. And if we remember that far back we most likely have fond memories of PluralEyes as it was the original audio-syncing tool that we came to know and love. As the years passed and the NLEs built this syncing capability internal to their toolset the need for PluralEyes waned. PE version 3 addressed this by making the app a stand...
February 18, 2016, 05:49 AM
http://www.audiomediainternational.com/interview/i...
Now one of the UK’s top TV composers after decades spent honing his craft on shows such as 'Going Postal' and 'Hotel Babylon', two-time Emmy winner John Lunn is best known for his work on 'Downton Abbey', which had its grand finale recently. Adam Savage asks him to look back on what made the show so successful and reveal his 2016 plans...
February 18, 2016, 05:49 AM
http://vashivisuals.com/deadpool-premiere-pro-pres...
As the editorial consultant on DEADPOOL, I spent 9 months crafting the post production workflow used for the edit and also trained the entire post production team in both Premiere Pro and After Effects. Very early into the cutting, lead editor Julian Clarke asked me if we could add camera shake to certain locked-off, static shots.
February 17, 2016, 05:51 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — Colorist Matt Osborne has joined The Mill’s Chicago team, moving over from the studio’s London location. Osborne joins the Midwest office at a period of rapid expansion and growth. The Mill Chicago is planning a relocation at the end of Q1 to a larger studio at the landmark 1KFulton building.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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