To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Oscars: VFX Noms Include Actual Explosions...

February 16, 2016, 10:12 AM

http://www.hollywoodreporter.com/behind-screen/osc...

VFX supervisors for 'Mad Max,' 'Star Wars' and more Oscar-nominated films share what it takes to keep it real. 'The Martian's' VFX supervisor, Richard Stammers, says of achieving an earthy approach: "We strive to make as much as we can real. The more you capture in-camera, they more it’s grounded in reality."

Rodeo FX Brings Insight and Enthusiasm to Deadpool

February 16, 2016, 09:05 AM

http://philpott.ca/rodeo-fx-brings-insight-and-ent...

Rodeo FX worked with Jonathan Rothbart, VFX supervisor, and Tim Miller, director, to create the grotesque look and feel of the Ryan Reynold's "Deadpool".

#rodeo fx#deadpool
DEADPOOL — The Premiere Pro User Review

February 16, 2016, 06:53 AM

http://www.premierebro.com/blog/deadpool-the-premi...

WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.

#adobe#premiere pro#creative cloud#marvel#deadpool
SPECTRE (2015)

February 16, 2016, 06:06 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“You are a kite dancing in a hurricane, Mr. Bond.” — Mr. White ...

Keying and compositing in NukeX

February 16, 2016, 06:05 AM

http://www.provideocoalition.com/keying-and-compos...

You’ve seen it before: composited people with hair helmets. If you’ve done any keying yourself, you probably notice it all the time. And you’ve seen worse: webbed fingers, grey outlines, green, magenta or grey reflections on skin. How can you make your keys look as good as the ones in, say, Iron Man or Transformers?

Master Titles and Vectors : Discovering Titler Pro

February 16, 2016, 06:05 AM

http://tracking.feedpress.it/link/9766/2597557

Opening Titles in Titler Pro 4, OFX Support and EPS Imports Learn the basics of title creation in part 1 of the 4-part tutorial series on Titler Pro 4 from our VP of Products Travis White. In this introductory lesson, Travis goes over basic title creation, applying Open FX plugins and importing EPS vectors all inside of Titler Pro 4. See how simple it is to hit the ground running in Titler Pro 4. 

Larry Jordan to close his online tutorial and webi

February 16, 2016, 06:04 AM

http://www.fcp.co/final-cut-pro/news/1776-larry-jo...

Larry has been one of the most respected trainers and tutorial producers since the times when Final Cut could only manage NTSC DV. He's decided it's time to wrap up his tutorial making and webinar publishing.

Red Giant's Updated Shooter Suite 13 Set Of Editin

February 16, 2016, 06:03 AM

http://www.hdvideopro.com/blog/software-red-giant-...

Announced late last week, Red Giant’s Shooter Suite v13.0 is a new release of the series that bundles four video editing plug-ins for NLEs, including the latest iteration of PluralEyes, one of the most well known and well respected editing plug-ins for quick and accurate syncing of audio even without using timecode or audio claps or cues.

'You Bite Off A Little Bit': 'Mad Max' Editor

February 16, 2016, 06:03 AM

http://www.npr.org/2016/02/15/466832925/you-bite-o...

In the movie Mad Max: Fury Road, a renegade, played by Charlize Theron, races away from a dictator through a hellish desert.

Deep Inside Deadpool's VFX

February 16, 2016, 06:03 AM

https://www.fxguide.com/featured/deep-inside-deadp...

Director Tim Miller’s first feature Deadpool hasn’t just raised the bar for subversive, fourth-wall-breaking comic book films, it also pushes the art in terms of visual effects. From completely synthetic environments for the freeway chase, to a fully CG dialogue-delivering metallic character in Colossus, to a unique approach to Deadpool’s facial animation and an unforgettable frozen moment opening title sequence...

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