To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

High-Performance H.264 Encoding Platform

November 14, 2012, 01:53 PM

http://www.streamingmedia.com/PressRelease/View.as...

MONTREAL and CHICAGO -- Nov. 14, 2012 -- Haivision today announced their next-generation, high-performance H.264 video encoding platform, the Makito(TM) X Series. The innovative Makito X Series combines a market-proven feature set with a six fold increase in encoding power to deliver quantum advances in picture quality and density.

#encoding#streaming#h264
MediaStorm Guide to Navigating the CS6

November 14, 2012, 01:52 PM

http://mediastorm.com/blog/2012/11/14/mediastorm-g...

This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

#adobe#cs6#premiere#adobe premiere pro
THE JURIES ARE DETERMINED!

November 14, 2012, 01:49 PM

http://www.bfs-filmeditor.de/aktuell/meldungen/mel...

(Film Plus Editing Event) The competitions for the average prices are traditionally the center of film Plus, the forum for film editing and montage art. Two juries selected with personalities from different areas of the industry to decide on the winner of the average prices in the categories of feature, documentary and short films, the 26th at the awards ceremony on November 2012 will be awarded.

#editor#editing#film editor#bfs#film plus
Remember DV Guru?

November 14, 2012, 08:11 AM

http://provideocoalition.com/index.php/ssimmons/st...

If you've been around this Internet / blog thing for a while you might remember the old article aggregator DV Guru. If I remember correctly this site was part of the old Weblogs Inc. network back when it was a collection of blogs on just about every topic under the sun.

#postproduction#film editing#dv guru
AE Basics 56: Export 2 - Setting Up For Export

November 14, 2012, 08:10 AM

http://library.creativecow.net/devis_andrew/AE-Bas...

AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 56: In this tutorial looking at getting your production out of After Effects, Andrew Devis shows how to set up your composition for export and how to determine where it will output and how to use default file names.

#adobe#after effects#ae
How to restore your data from the cloud

November 14, 2012, 08:08 AM

http://www.macworld.com/article/2013632/how-to-res...

Online backups are a useful component of a well-balanced backup strategy. Whether you rely primarily on cloud storage for backups (see "Backup Basics") or use the cloud to supplement local backups such as bootable duplicates (see "Bulletproof Backups"), it's crucial to understand how you will go about restoring your data after disaster strikes.

#cloud#apple
Should I Give Final Cut Pro X Another Try?

November 14, 2012, 08:07 AM

http://notesonvideo.blogspot.ca/2012/11/should-i-g...

Last nights Boston Creative Pro User Group meeting featured Abba Shapiro giving a run down on the new features in the 10.0.6 update to Final Cut Pro X.

#fcpx#final cut pro#boscpug
Lenovo ThinkPad USB 3.0 Secure HD Review

November 14, 2012, 08:04 AM

http://www.storagereview.com/lenovo_thinkpad_usb_3...

Last year we reviewed the USB 3.0 Lenovo ThinkPad that was available in capacities of 500 GB and 750 GB. Today, we are taking a look at their newer 1TB USB 3.0 enabled hard drive. The 1TB USB 3.0 drive is highlighted by the same security, as we saw last year - a ten digital number pad on the front of the enclosure and 256-bit AES XTS hardware encryption running in the background.

#hard drive#usb#hd
Online - Fixing It In Post For Avid Video Editors

November 13, 2012, 10:09 PM

http://feedproxy.google.com/~r/industryhappenings/...

Join Avid Certified Master Instructor Jeff Greenberg as he demonstrates how to fix a variety of common post-production problems using Boris Continuum Complete in Avid Media Composer. AGENDA Removing Flicker and Fix Auto-Iris Camera Issues. Creating Top Notch Keys. Transform Dull Shots. Learning to solve a common problems that start to creep up in HD...

#avid#media composer#mc6#mc
Why you should upgrade to FCPX v10.0.6

November 13, 2012, 10:08 PM

http://www.definitionmagazine.com/journal/2012/11/...

One of the many things that has amazed me about FCPX is the speed at which it has evolved. When first launched most were rightly skeptical about its ability to replace FCP 7 in their workflow and rightly so. The new application was incredibly powerful in a lot of really good ways but, as with all things creative, it was only as good as its worst feature or its greatest deficiency and some of FCPX 1.0's worst bits were surprisingly mighty bad indeed.

#fcpx#final cut pro#update

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